Auteur Watch - Darrin Dewitt Henson

Dang!  I thought it was Common for a second.  But Darrin is a force in Hollywood in his own right, and I even remember him from that thing he did called Taken... I'm sorry, it's actually called Tekken, which I haven't seen, but they do have it at Netflix, as well as the sequel.  They're all based on a video game, so how could it not be an Oscar-worthy cinematic experience akin to The Godfather: Part II and Forrest Gump?  Hope I have enough quarters!

Sven's Seven

'Tis the season of lists, so I thought I'd better get my ass into gear and at least come up with a good list name.  Anyway, as expected, Aquaman drowned the competition again for the second week in a row.  As for the debuts this week, well... it's graduates of the Will Ferrell Rolling Stock Company this week, and even though they've all debuted below the dreaded #5, it should still be a good New Year's celebration.  Older wünderkind and yester-decade's frequent director of Will Ferrell Adam McKay's Vice finally debuted this week.  Plenty of TV ads for it, but so far no political backlash that I've seen.  Nothing on the Sunday talk shows?  No shout-out from Colbert?  Well, even though it's not clicking with the masses, whose faces are still intact, thank God... there's still the Oscars.  And even though Christian Bale's already got his golden statue (TM) (C) (R), he seems to be aiming for another with each new role he picks.  This one could be hard to top, though.  I don't doubt McKay as a writer, but I'm assuming he didn't just write Cheney's life story on his own... did he?  No source material?  It's Lord of War all over again, which is actually based on a book, but thanks to WGA rules they get to stand by the oft-coveted "Written and Directed By".  ...okay, okay, same thing goes for Inside Llewyn Davis, as it is based on someone's life as well.
The other debut is Holmes & Watson, the latest and maybe not greatest collaboration between Ferrell and John C. Reilly, star of 1992's Hoffa.  Well, sometimes it's nice to have a decade apart before you work together again.  But Reilly's big deal this season is the new Laurel and Hardy biopic.  Will 2018 be as good for Reilly as 2005 was for George Clooney?  Stay tuned here to find out!  Or just Yahoo in general, really.
Meanwhile, in recently watched TV news, who played Janel Tyler on the new issue episode of "The Orville"?  You won't keep it a secret from me forever!  Scarlett Johanssen's sister?  Kirstin Scott Thomas' daughter?

Auteur Watch - Julian Henriques

Ooh good!  Another short one.  But I will say that there's a weird, real-life coincidence here that's freaking me out a little bit.  He or she did direct an episode of the show "Single Voices"... that's right, that "Single Voices", and the episode is called "Ding Dong Merrily on High."  My mother currently has a thing about that song!  Dare I mention this to her?  Have I said too much already?  And... what about Naomi?  For these and answers to other questions ("You got a minute?") stay tuned for our next episode of Love of Chair Auteur Watch.  Brought to you by Random Word Generator.  That's Random Word Generator!  ...not as fun as you might think.  But that was the era, you know?  Late '90s, early '00s, everyone trying to learn CGI and PHP, putting it to good uses such as this, hoping to get VC Funding or whatever they called it on "Silicon Valley."  Now Jeff Bezos is giving career advice.  Quite simple, really.  People pay $500 to go to an auditorium to hear him say "You can do anything you want in this life, but stay away from package delivery, bitches!  It's MY racket now!"

1941

Normally, I'm supposed to... pardon FORGIVE me.  This blob blurp is brought to you by The Debt.  I mean, as long as it's not them that has to pay, no one really minds The Debt.  Similarly brought to you by the Wall.  I mean, as long as it's not him that has to pay, Putin's Puppet in the White House currently doesn't really mind who's paying for the Wall.  A campaign promise deferred is a campaign promise denied, Mr. President!  It was a two-parter, if memory serves, and I guess yours doesn't.  Anyway, normally I'm supposed to kiss the ass of the #1 movie this week in terms of attached pic, but if it's really got legs, it'll be #1 next week as well, so I'll just do it then instead.  But apparently one of the big-time million dollar directors I grew up with, as David Letterman might say, has fallen on hard times yet again.  I suppose Allied and Flight were salvaged by the critics, but The Walk got a 'meh' from both the general public at large and from the critics at larger and larger every day.  I mean, the critics are technically a subset of the general public... but are they any more?  I can't vouch for how Amazon Prime works... sorry, I can't vouch for how "The Prime" works, but with Netflix you get this menu, and you spend your days scrolling past movies in icon form.  If you're using your TV remote to do it, it could take a while.  If you use your thumb on your SmartPhone, you run the risk of Carpal Tunnel Syndrome, as well as eyestrain in general.  And this turns the average computer user into a critic, as they go "Nope, nope, nope, nope" as they browse past title after title after title.  Someday we'll get the data on that.  You know, male users using Netflix (TM) (C) (R), or FeatureFlix if you're a "Ray Donovan" watcher, will spend an average of 3.1 seconds hovering over a title tile... and slightly longer if there's cleavage in the picture, you get the idea.  Which is why I try to support Scarecrow Video.  That's Scarecrow Video!  The greatest video store on the West Coast... okay, outside of Hollywood.  Sure, they don't have everything yet.  They don't have Tishbites by the Cocteau Twins; they don't have The Flim-Flam Man, as it's lower on their to-do list, right under "Keep Our Non-Profit Status Alive Somehow."  Alas, Paul Allen passed on before he could make it one of his businesses that seem to do nothing but lose money.
But on the bright side of things, that new Aquaman money has gained some money!  Sure, not much for the weekend before Christmas, but still.  James Cameron can't direct everything, but he did help to make the underwater more feasible, mostly by staying in it for so long.  But they did get James Wan to do it instead.  You know, the Saw guy!  Which explains the many extensive waterboarding sequences.  A little dark for what's supposed to be family fare, but whatever.  They seem to know what they're doing over at DC Comics.  Jason Momoa is the new Aquaman... and I know what you're thinking.  Really?  Keegan from Bullet to the Head?  But you gotta dig a little deeper to see that he's paid a few dues to get here.  I mean, he was on the original "Baywatch," for God's sake!  Who else has gotten so far afterwards?  I mean, without an extensive rap sheet?  I gotta hand it to any 20-year overnight success story.
Which brings us to Mary Poppins Returns, which is a sequel to the 1964 original.  It's an actual sequel, not a reboot or some kind of prequel or anything.  An actual sequel.  Mary apparently hasn't aged a day, and she can fly.  Take that, Highlander!  Yes, London's own Emily Blunt is America's sweetheart, even if all of her work doesn't quite reflect that.  I did like her in The Devil Wears Prada... so bitchy!  Anyway, speaking of Hollywood losing money on advertising, Bumblebee debuts at a mere #3, but Spielberg and Michael Bay weren't prepared to put too much effort into advertising.  Meanwhile, Hailee Steinfeld continues to try and undo all the untold damage that True Grit did to her career.
Whew.  Halfway to the summit.  But I guess, it's more like we're climbing down into the Grand Canyon, as there's two more debuts to climb down to.  At #7, the American dream takes another big miss, as something called Second Act makes a disappointing, inauspicious debut.  Sorry, director Peter Segal, but it looks like 1995's Tommy Boy is still going to be your best work, as fraught with problems and delays as that production was.  But it is off of your IMDb Top 4!  Hope that helps!  I mean, if that's what you want.  The IMDb Top 4 is probably out of your hands anyway.  But I would like to take this time to analyze the IMDb's numbering system for movies.  For example, Second Act's number is 2126357.  Aquaman's number is actually lower, at 1477834.  I think these things were in development for a while, and something generic like Second Act probably languished a lot longer.  Mary Poppins 2's number is 5028340.  Bumblebee is 4701182.  Spider-Man: Into the Spider-Verse is 4633694.  Holmes & Watson is coming out next week, and its number is 1255919.  Clint Eastwood's latest, The Mule, is 7959026!  Well, he likes to get these things over with quickly, and clearly gets the newest, freshest projects to pick from.  For reference, we seem to be at about 9473016 as of this writing.  Well, it's a big world out there, and the IMDb wants to include everything and everybody.  They're even including all the fun 1980s music videos!  You know, from MTV's Golden Era, when their mandate as a cable network seemed to be showing music videos.  Now it's reality shows, reality TV... sorry, "reality" in quotes.  Incidentally, MTV is brought to you by douchebags.  Douchebags!  Fun to look at on TV, bad to be next to in real life.
...where was I?  Lost my place.  Oh, right.  Just one more thought about Second Act.  As you can see from its IMDb plot description... which I'll cut and paste here for you.. "A big box store worker reinvents her life and her life-story and shows Madison Avenue what street smarts can do."  In reality, Madison Avenue already uses street smarts, it just might not seem like it.  You want a story about street smarts as the fish out of water?  Try ... what's it called... generic title, post-GoodFellas Joe Pesci plays a bum on a college campus, With Honors.  That's it!  It was originally called "The Homeless Bum Who Saved Boxing Day," but it was transposed to modern day America and rewritten by someone other than Norm MacDonald.  I guess there's no point in showing Harvard and Yale what street smarts can do, at least not on the silver screen these days.
And finally, debuting at #9, and not because it's an indie pic with early Oscar buzz, but because it's a massive Hollywood bomb, it's the latest from Bob Zemeckis called Welcome to Marwen.  Well, Bob's playing a different game than most of us.  I mean, it's an original premise, right?  Sure, the story of the real guy's more interesting and all, but... ah, skip it.  No one wants to dream anymore, and seeking love is creepy.  Except when I do it, of course.  But don't worry about ol' Bob, as he's already hard at work on his next: something called The King about King Kamehameha who united the Hawaiian Islands.  Ooh!  Its number is 8917520, so it's pretty hot off the press.  On the other hand, it's from a Randall Wallace script.  Yeesh.  Okay, so he may not know that much about Hawaii, but he does know about kings, and he likes the power they have.

Auteur Watch - Felicia D. Henderson

Damn.  Another long, TV-heavy one... but there is something I get to take a Mean Girl-esque swipe at.  For you see, according to her IMDb Bio page, she's currently working on her Ph.D.  Wow!  Just like Robert Mark... what's his name.  Well, I hope they don't check the spelling too rigorously in the Ph.D. program where she's at.  I mean, the biographer for said IMDb page talks about Felicia's mother and her "Missippi" roots.  Is that next door to... TENNESS???!!!!!!!!  Maybe the IMDb just has bad spell-checking tools.  I mean, the one I'm using gets it.  If you know my username and password, you can see for yourselves.  The wavy red lines, man!

To The Franchisemobile!

Brought to you by Really Large Chicken (TM).  Why have turkey for Thanksgiving when you can have Really Large Chicken (TM)?  And so, we have three debuts this week.  Clint Eastwood's The Mule is the only thing that smacks of originality... unless you count The Old Man & The Gun specifically and "Breaking Bad" in general.  Of course, there's a little bit of age-ism at work in the plot description of The Mule.  I mean... a 90-year old horticulturist?  Clint himself is 88!  He'll be 90 on May 31st, 2020.  Don't jump to such conclusions, IMDb!  But it's an intriguing battle it is, the battle of free speech.  Free speech ain't free, after all.  But it seems to me that a drug dealer doesn't believe in free speech.  I mean, sure, he'll listen to your opinion on life and all that... and I admit it, I'm being a little sexist here, assuming that a drug dealer is a "he" and not a "she."  But your dealer might do a little chit-chat, as long as you come up with the money and move on.  I still remember the drug deal I saw a long time ago in the U-district: there was a low exchange of hands, and the guy who brought the drug quickly put it up to his nose and sniffed it up... I'm assuming it was drugs.  Maybe it was an early form of the Cinnamon Challenge (TM), who knows.
As for the rest, well... sorry, my cat needs to adjust.  She's sitting on my lap, you know.  Well, she's getting on in years.  She's about 12 now and needs to sleep about 20 hours a day, mostly on my bed.  Anyway, the big winner this week was a more comic book-like version of that old Spider-Man (C) (R) (TM) tale, and it's called Spider-Man: Into the Spider-Verse.  This one reminds me of 2001's The One (see attached pic) where reality consists of 125 different, but strangely similar universes... a multi-verse, if you will.  Mostly, the people have different hair-dos in the different universes.  What would Liebniz make of all this?  In The One, it's arguably the opposite plot: a serial killer travels to the various parallel universes to kill the other versions of himself, thereby giving himself greater powers.  In the new Spider-Man pic, the various Spider-Men and -Women from the various parallel universes must unite to fight a threat to all reality.  If that threat to all reality isn't Rupert Murdoch, well... I don't know what is.
And finally, every once in a while, a movie comes along that unites the public and the critic-razzi against it.  In this case, it's the latest installment of the Mortal Instruments series... I'm sorry, it's actually called Mortal Engines.  Debuting at the dreaded Number Five, it's the latest production of Peter Jackson's WingNut Films.  Well, it's a long time between epic trilogies, I guess.  Hope he's got something beloved and profitable lined up for 2021!  I mean, the next Tintin?  Meh.  Can he maybe get a trilogy out of the Silmarillion or something?

Auteur Watch - Anthony Hemingway

Damn.  Another long one.  Well, some people dream of directing TV, and they actually stay there!  It must put one in mind of prison, directing so much television.  I mean, check out the guy's tats!  But that's directing these days; some do it to tell stories, others to get on the cover of "Tattooed Director Monthly."  Others do it for the push-ups... see that most recent season of "Project Greenlight" for an example of that; maybe the only example.  But let's take a look at this thing a little closer!  It's not all Hallmark specials and "Moment of Truth"-type dealie boppers here.  We got "The Wire", we got "American Crime Story", and we got Red Tails.  I remember the ad campaign for this one, actually!  George Lucas wanted to add to his list of high-profile disasters.  You know, The Radioland Murders, Howard the Duck, what have you... well, he was clearly overdue for one.  Red Tails is a semi-comic book adaptation of the story of the Tuskegee Airmen.  I seem to remember the TV trailers differently; at about 0:51 is a shot of some soldiers about to get into their planes.  They seemed to have a little more rapper-type swagger in the TV trailers.  The focus of the movie is more on the aerial heroics, and a lot less on the experiments with syphilis that recently came to light.  I mean, why be depressing?  Why go for Oscar (TM) glory on this one?  Not like this... not like this.
Anyway, future TV directors, study this guy's résumé very carefully.  Look at all the episodes of the various things he's directed, and see if you can find a day off in there somewhere.  Get a cot!  Get yourself a comfy cot, because you'll be sleeping on the set, my friends.

Intermittent Winter Mittens

Brought to you by "Dirty John."  If you've used the IMDb at all this week, you've probably seen an ad for "Dirty John."  And if someone else comes in the room and sees that on your computer screen, they inevitably go "Eww!  What are you looking at that for?"  So PLEASE, I BESEECH YOU, someone get tired of these ads for "Dirty John" soon!  I understand that Eric Bana needs to make bank and all, but PUH-LEEEZE!!!!  Anyway, it's a down week for the box office.  No debuts this week, but big things are coming for Christmas, of course.  Aquaman, for one.  Also, I saw what was apparently a fake ad for a new, PG-13 rated Deadpool movie.  Which is a bit of a relief for me, as the Deadpool movies seem pretty NC-17 as it is.  Anyway, seeing as how there are no debuts, it is of course time to take a look at the cumulative totals instead of what's already out there.  The new The Grinch is clearly the winner, with over 200 million domestic in the bank after only five weeks... someone's bank, we don't know exactly who yet.  Next up, Bohemian Rhapsody is no slouch, with 173.6 million after six weeks.  Not bad at all for something not based on a comic book this time of year!  And of course, Tommy Maitland is going to mention his cameo at his next contract renegotiations.  He has a right to be proud.  As for me, I've taken a renewed interest in my eye floaters now that I'm on a brief vacation from my regular paying job.  There's a particularly dark small one that's been troubling me, and there's this other one that looks like a cluster of balloons on a balloon-sized string; you know, one of those hot dog-shaped balloons that balloon folders use to make sh... stuff.  But apparently, there's like, hundreds of YouTube videos on this very subject!  Serious ones!  Actual, serious ones!  Not enough to change the name of this blog, mind you, but still!  Clearly I gotta go.

Auteur Watch - Hemamset Angaza

Oh good!  Another short one.  Welp, of the four titles on the official online résumé of this Hemamset Angaza that the Internet mortals are all talking about, clearly the most prominent amongst the four is that one installment of the Barbershop series that he or she is responsible for... hey, don't laugh!  It was good enough to lead to a superhero movie!  You know, the pinnacle of Hollywood?
...I'm sorry, I've apparently / clearly made another one of my trademark Malaprop-ish errors again.  I meant to say that Hemamset Angaza... I'm having a little trouble typing these days, in addition.  You know the middle finger?  Well, I only flipped off the one driver, but apparently that was enough to cause upon me a curse.  Either that, or my finger is shedding its thick winter coat far too early, and one of those pinker, more sensitive layers of skin is exposed enough to cause me some heartbreak and pain.  Okay, back on topic.  No, the film is called Good Hair and... sorry, wrong again.  Is it Toupay or Not Toupay?   Joe's Bed-Stuy Barbershop: We Cut Heads?  HAIR???  What can me say, folks, this is me legacy.  You ever meet anyone like that?  You're about to tell someone the answer to a riddle you're posing, or a story you're telling, and the other person tries to guess IN THAT VERY INSTANT.  I mean you're just about to tell them and they go "A trace of gallium arsenide?" or "Cow bell?" or "Bruce Willis was a ghost all along?"  It's usually me doing that!  I don't get it!  Anyway, now that I've actually gone back to look, the title seems to be In Our Heads About Our Hair... I don't get it.  Must be the cultural difference or something.

Possession Obsession

Drat.  I thought I had The Exorcist on DVD.  But, I did happen to happen upon Peter Hyams' 1999 classic, End of Days, and because I'm in a lazy pinch, it will just have to suffice.  I just wish his films weren't so ambiguous... I mean, is that a good guy or a bad guy in the enclosed pic?  That's Leon Vitali, right?  Anyway, all these deliberations are in honor of the solo debut this week, something called The Possession of Hannah Montana Hannah Grace.  It's a make-or-break moment for its star, Shay Mitchell.  She was one of the "Pretty Little Liars," but now she's on her own... I guess.  Is the show still on?  What channel?  Oh well.  It's at the library, so that's some legitimacy, about all some shows can ask for these days.  Kinda hard to be in a position of power for the next round of contract renegotiations, however, when your big film debuts at #7, unfortunately.  I mean, if it was an indie pic in 300 theaters, and getting early Oscar (TM) (R) (C) buzz, that's a different story.
But I did want to mention some depressing news I heard this weekend... I'm sorry, I'm so depressed about it that I'm not even going to post a hyperlink to the story.  Not that I didn't anticipate it happening, mind you; that's how cynical I am, but the headline had to do with some accusers against noted astrophysicist and heir to Carl Sagan's throne, Neil deGrasse Tyson.  And I couldn't help but read that and think, c'mon.  Well, the various movements involved, I guess they have to keep trying, but really.  Isn't Bill Cosby and one of the Weinsteins good enough?  Now we have to go after the scientists, too?  How about when the Oscars (TM) (C) (R) get a hot young starlet to hand out the yearly technical awards?  Can we shut that down too?  It's sexist, and body shames the rest of us non-celebrity losers, for two. 
But the testing of these things must go on.  Louis C.K. might come back, Kevin Spacey never ever will, Geoffrey Rush might come back, and Morgan Freeman... again, c'mon.  But I think the official charges against Morgan Freeman were that some women were made "uncomfortable" by him.  I don't know what the punishment is for that, exactly, but let's see if it's affecting anything yet... nope, The Shawshank Redemption is still the #1 movie on the IMDb, as of this writing, and always will be, forever and ever amen.  Stephen King's short stories seem to translate better into movies somehow, go figure.

Short Reviews - December 2018

Accept - With Michael Gabe as Frank.  Also with Daniel Jarvis as Frank's Son.  Also with Louise Marie Kerr as Frank's Daughter 1.  Also with Melissa Riggall as Frank's Daughter 2.  Production Assistant: Joe Franklin.

"Adam Adamant Lives!" "To Set a Deadly Fashion" - With George Gibson as Frank.

"African Patrol" "Killer from the Forest" - With Martin Wyldeck as Frank.

Aggregate - With Ira Katz as Frank.

"The Alice" "Episode #1.11" - With Steve Dodd as Frank.

Almost - With Mark Doyle as Frank.  Producer: François Gamaury.  First Assistant Director: François Gamaury.  Grip: Frank Hellebrand.

Ambulance - With Thomas Bo Larsen as Frank.  Digital Compositor: Frank Thomas.

Amitie - With Jerry Robin as Frank.

Angel Town - With Francisco Aragon as Martin (as Frank Aragon).  Also with Frankie Avina as Spider.  Also with Mike Moroff as Frank.  Writing Credits (written By): Francisco Aragon.  Writing Credits (written By): Frankie Avina.  Stunts: Frank Torres.  Music Editor: Frank McKelvey.

Anomie - With Robin Parrish as Frank.

April Fools Day - With James Detmar as Frank.

"Aspe" "Bijna beroemd" - With Günther Lesage as Frank (as Gunther Lesage).  Also with Francesca Vanthielen as Hannelore Martens.  Directed by : Frank van Mechelen.  Writing Credits (writer): Francesca Vanthielen.  Colorist: Frank Temmerman.

Atlanta Heat 2 - With Keith Allen Hayes as Frank.

Autopilot - With Jay Bodnar as Frank.

"Bachelor Father" "Bentley and the Social Worker" - With Hal Riddle as Frank.

"Bad Weather Films" "The Mustache" - With Andy Greene as Frank.

"Bang Bang" "Episode dated 11 October 2005" - With Ernani Moraes as Frank.

Bark Ranger - With Ryan Manning as Frank.

"BBC2 Playhouse" "A Pocketful of Dreams" - With James Marcus as Frank.

Bed of Fear - With Marcus Garrett as Frank.

Being Frank - With James McDougall as Frank.

Bennie - With Tim de Zwart as Frank.

Between the Lines - With Jon Korkes as Frank.  Also with Frank Licato as Car Owner.  Writing Credits: Frank Licato.

"Big Little Boss" "The Takeover, Pilot" - With Tom Lopez as Frank.

"The Birds II: Land's End" - With James Naughton as Frank.

Blank Canvas - With Bart Petty as Frank.

Blodig Hevn i Las Bøgas - With Anders Kjærmann Jensen as Frank.  Also with Ken-Børre Langås as Frank's other buddy.  Also with Arild Syvertsen as Frank's third buddy.  Also with Hallgeir Torbjørnsen as Frank's buddy.

Bloodlust - With Kelly Chapman as Frank.  Also with Frank Brunetti as Buck.  Writing Credits : Frank Brunetti.  Special Thanks: Frank Thring.

"Blossom" "Who's Not on First" - With Kevin Jamal Woods as Frank.

"Bob Servant" "The Wedding" - With Jonathan Watson as Frank.

The Bookie's Lament - With Brian Mallon as Frank.

Bottom Feeders - With Roger Lenwood as Frank.

Brainscan - With Frank Langella as Detective Hayden.  Also with Vlasta Vrana as Frank.  Writing Credits (screenplay): Frank Langella.  Director Of Photography: François Protat.  Swing Gang (as Francois Gosselin): François Gosselin.  Continuity: France Lachapelle.

The Bridge - With Ted Hope as Frank.

"Brothers" "There's a Lid for Every Pot" - With Sanders Cupac as Frank.

Burned and Blackened - With Alexander Fraser as Frank.

By Blood - With Steve Fleming as Frank.

Calibre - With Cameron Jack as Frank.

Candy's Room: Soleil Noir - With Francesca DiPaola as Candy.  Also with Billy Garcia as Frank.  Writing Credits : Francesca DiPaola.

The Casper - With Robert Factor as Frank.  Also with Bob Lopez as Frank.

Chain Reaction - With Richard Henry as Frank.

"Chase Belafonte's Working Title" "The Contracts" - With Jeff Caetano as Jeff Caetano / Frank.

"Chicago Fire" "Ambush Predator" - With Patrick Lane as Frank.

"Chopper Squad" "Pilot" - With Tony Bonner as Frank.

"The Circuit" "Of Mice and Men" - With Peter Francis as Elder Albert.  Also with Jonathon Yuline as Frank.  Writing Credits (written By): Peter Francis.

The Cleaner - With Jerry Zellers as Frank.

The Clouds - With Alec Sullivan as Frank.

"The Collector" "Another Collector" - With Tony Alcantar as Frank.  Also with Franco Maravilla as Filipino Teenager.  Writing Credits (written By): Franco Maravilla.

Coming Apart - With Harssh Singh as Frank.

Confessions of a Fruit Fly - With Francois Bryon as Frank.  Writing Credits (writer): Francois Bryon.  Co-producer: Jean-François Parent-Paquette.

Cord - With Vincent Gallo as Frank.

The Course - With Stevie Haimes as Frank.

"Crime Traveller" "A Death in the Family" - With Jack Chissick as Frank.

"The Crossroads of History" "Hitler" - With Paul Scheer as Frank.

The Cutting - With Joost Wijnant as Frank.  Makeup Artist: Francesco Rossi.

Damascene - With Henry Lloyd-Hughes as Frank.

"Dark Matters: Twisted But True" "Unabomber, Salvation by Starvation, Get the Lead Out" - With Ben Addis as Frank.  Music by: Paul E. Francis.

Das Leuchten - With Jakob Hufnagel as Frank.  Also with Yvonne Simon as Franks Mutter.

The Day the Fish Came Out - With Arthur Mitchell as Frank.

De Überbliema oder Ois bleibt besser - Mit Werner Gerl als Frank.  Auch mit Franz Rinkes als Paul.  Writing Credits : Franz Rinkes.

Dead Positive - With Kemal Yildirim as Frank.

Death at a Funeral - With Peter Dinklage as Frank.  Standby Painter: Frank Rodriguez.  Stand-by Buyer (as Franklin Rodriguez): Franklin 'Frankie' Rodriguez.  First Assistant Sound Editor: Dana LeBlanc Frankley.  Special Thanks: Frank Oz.

Deguello - With Frank Ledezma as Mobster #1.  Also with Jonny Vera as Frank.  Writing Credits (written By): Frank Ledezma.

Departure Date - With Luis Guzmán as Frank.

"Le dernier lien" - With Christophe Malavoy as Frank.

Detour - With Ted Huckabee as Frank.

"The Diary of Evelyn Lau" - With Dana Wyse as Frannie.  Also with Bill Bow as Frank.  Also with Frank C. Turner as Minister in Van.  Writing Credits (book): Frank C. Turner.

"Die Lüge" - With Friedrich Karl Praetorius as Frank.

"Dierbaar" - With Hans Dagelet as Frank.  Also with Michiel Romeyn as Collega frank.  Also with Laus Steenbeeke as Collega frank.  Also with Frank Groothof as winkelchef.  Writing Credits : Frank Groothof.

Dirty Money - With Timothy Patrick Cavanaugh as Frank.

"Do You Remember?" "Park People" - With Roy Marsden as Frank.

Dominoes - With Joseph Giannunzio as Frank.

"The Doris Day Show" "Mr. and Mrs. Raffles" - With Norman Stevans as Frank.

"Drake & Josh" "The Really Big Shrimp: Part 1" - With Brian Treitler as Frank.

"Drifters" "Sober" - With Bob Mortimer as Frank.

A Dubious Night - With Jim Porter as Frank.

E-mail Express - With Arno Kempf as Frank.  Cinematography by: Frank Huesmann.

"Ed" "The Road" - With Eric Thal as Frank.

Ein idealer Ort - With Matthias Neukirch as Frank.

Elysium - With Fadi Elnaggar as Frank.

"En fri mand" - With Ole Ernst as Frank.

"The Equalizer" "The Caper" - With Richard Hamilton as Frank.

"Ettor & nollor" "Episode #1.1" - With Søren Malling as Frank (as Sören Malling).  Visual Effects Artist / Visual Effects Editor: Frida Franker.

"Ex-Best" "Episode #1.10" - With Jonathan Togo as Frank.

Eyes Beyond Seeing - With Morton Hall Millen as Frank.

Falcon Song - With Jeter Rhodes as Frank.  Also with Carl L. Franks as Preservation Society Member.  Writing Credits (co-writer): Carl L. Franks.  Cinematography by: Bruce Francis Cole.

"Family" "John Paul" - With Jonathan O'Connell as Frank.

Fatum - With Alex Lugo as Frank.

Fifth Vanity - With Jack Michel as Frank.

"Finney" - With Neil Shackleton.  Also with Frank Ellis.  Series Writing Credits (6 Episodes, 1994): Frank Ellis.

"Flächenbrand" - With Horst Frank as Lothar Steingruber.  Also with Manfred Krug as Frank.  Writing Credits (screenplay): Horst Frank.

Float: A Brief Story - With David Storrs as Frank.

Fool's Paradise 2 - With Paul Sambo as Frank.

"Forsthaus Falkenau" "Das Island Abenteuer" - With Thomas Balou Martin as Frank.

"Frasier" "How to Bury a Millionaire" - With Michael McShane as Frank.  Head Paint Foreman: Frank Galvan III.

French Exit - With Craig Vincent as Frank.

From the Dead - With Will Leon as Frank.

The Gambler - With John Goodman as Frank.  Also with Frank Lui Geo as Lamar Loyalist (uncredited).  Also with Frankie Ponce as Man Holding Lamar Sign (uncredited).  Writing Credits (1974 Screenplay): Frank Lui Geo.  Writing Credits (1974 Screenplay): Frankie Ponce.  Stunts: Frank Torres.

Garfield - With Frank Payne as Engineer #2.  Also with Joseph Edward Taylor as Frank.  Writing Credits (written By): Frank Payne.  Costume Design by (as Suttirat Larlarb): Marie France.  Greens Coordinator: Frank McEldowney.  Paint Supervisor (as Francesco A. Paolone): Tony Paolone.  Matchmove Coordinator: Rhythm & Hues: Frank Annunziata.  Matchmover: Rhythm & Hues (as Francis Camacho): Francis L. Camacho.  Render Coordinator: Rhythm & Hues: Frank Du.  Animator: Rhythm & Hues: Elisabeth Franklin.  Digital Compositor: Rhythm & Hues: Frank Maurer.  Best Boy Electric: Frank Mathews.  Key Grip (as Frank A. Montesanto): Frank Montesanto.  Production Assistant: Second Unit: Frank Tignini.

"George Lopez" "Team Leader" - With Mel Rodriguez as Frank.  Producer: Frank Pace.  Set Designer (as Francoise Cherry): Francoise Cherry-Cohen.  Script Supervisor: Frances Alet.

"The Ghost Squad" "Necessary Means" - With Matthew Storey as Frank.

Gisela - With Oliver Bröcker as Frank.

"Goede tijden, slechte tijden" "Aflevering 5200" - With Ditmar Marlin as Frank.

"The Good Life" "John Hurts His Leg or Tales from the Crip" - With Sean Babb as Frank.

"Grace Under Fire" "Pilot" - With Dave Florek as Frank.  Gaffer: Frank Doll.

"Grange Hill" "Kicking Life" - With Rebekah Joy Gilgan as Fran Williams.  Also with Christopher McGown as Frank.

The Greatest Play Ever - With Eric Lynch as Frank.

Guess Train - With Jorge Alvarez as Frank.

Gurn! - With Petros Kladis as Frank.

Hamlet's Ghost - With Erik Mineo as Frank.

Hard Way: The Action Musical - With Todd Charmont as Frank.  Visual Effects Producer: Trixter: Franzisca Puppe.  Lighting Technician: Franziska Hurm.  Camera Operator: "b" Camera: Franz Kastner.

"Hasta que el dinero nos separe" "Billetera vacía" - With Carlos Cámara as Lic. Francisco Beltrán.  Also with Frances Ondiviela as Rosaura Suárez 'La Casada'.  Also with Rafael Origel as Frank.  Writing Credits (idea): Frances Ondiviela.

Have at Thee - With Jonathan Posthuma as Frank.

The Heart: Final Pulse - With Kyle Ambrose as Frank.

Hell's Half Acre - With Robert Shield as Frank.

Heroes - With Caskey Swaim as Frank.  Cinematography by: Frank Stanley.  Unit Production Manager: Frank Arrigo.

High Voltage - With James DiStefano as Frank.  Also with Frank Rivera as Paco.  Writing Credits : Frank Rivera.  Post-production Sound / Re-recording Mixer / Sound Designer: Bryan Franklin.

"Hit the Floor" "Moving Screens" - With Martin Kildare as Frank.  Main Title Design: Franceska Bucci.

Hollywood Hot Tubs - With Bill McNeal as Frank.  Also with Christopher Franklin as Shawn's Friend.  Writing Credits : Christopher Franklin.

Honey Pot - With Mark Kelly as Frank.

"Hos Martin" "Overraskelsen" - With Kalle Øby as Frank.

"The House Sitter" - With Jonathan Higgins as Frank.  Also with Jonathan Koensgen as Teen Frank.  Supervising Dialogue Editor: Francois Maurice.

Hula - With Kern Falconer as Frank.

I Dare - With Roy Verdiguel as Frank (as Roy Cárdenas Verdiguel).

I Was a Teenage Werewolf - With Michael Rougas as Frank.  Property Master: Max Frankel.

The Illustrator - With Maximilian Schlossberg as Frank.

The Imposter - With Chris Burnett as Frank.  Executive Producer: Frank Olsen.

In the Meantime - With Edward Finlay as Frank.

"Inhuman Condition" "Episode #1.2" - With Murray Urquhart as Frank.

"Insight" "Skid Row" - With Frank Aletter as Troutman.  Also with Joel Fluellen as Frank.

The Interview - With Tyler James as Frank.

Irgendwas ist immer - With Patrick von Blume as Frank.

It Takes Two - With Frances Lee McCain as Joyce Rogers.  Also with Glenn Withrow as Frank.  Also with Marvin Frank Stone III as Wedding guest (uncredited).  Writing Credits: Frances Lee McCain.  Writing Credits: Marvin Frank Stone III.

"ITV Playhouse" "Visitors for Anderson" - With Desmond McNamara as Frank.

Jacob's Ladder - With Eriq La Salle as Frank.  Camera Trainee: Frank Rinato.  Financial Services: Frans J. Afman.

Jefferson - With Chris Boas as Frank.  Grip: John Francis Conway.

"Jetzt sind wir dran" - With Rüdiger Klink as Frank.  Cinematography by (as Chris Bremus): Frank Lamm.  Property Master: Inside: Frank Knüttel.

"The Joey Bishop Show" "On the Spot" - With Joe Flynn as Frank.

Journeyman - With Matt Larson as Frank.

Just Like Joe - With Clifford Lee as Frank.  Also with Gay Lee as Frank's Mother.

"Kavanagh QC" "Men of Substance" - With Tom Keller as Frank.

"Kickin' It" "All the President's Friends" - With Wayne Dalglish as Frank.  Also with Frank Simons as Vic Deblaze.  Writing Credits (series Staff Writer): Frank Simons.

Kill the Needy - With Marcus Freeman as Frank.  Music by: Jordan Francis.

The King Is Dead - With David Schaal as Frank.

"Knight Rider" "Knight of the Juggernaut" - With Richard Fullerton as Frank.  Re-recording Mixer (uncredited): Franklin Jones Jr..

Kryssordet - With Herman Bernhoft as Frank.

"Läderlappen" - With Arne Wirén as Frank.

"Laredo" "Road to San Remo" - With Steve Raines as Frank.

Last Night - With Micci Toliver as Frank.

The Lawless - With Jason Riley Hoss as Frank.

"Lee Evans: So What Now?" "The House Guest" - With Hugh Lloyd as Frank.

"Les mystères de l'amour" "Glacial" - With Franck Neel as Frank.  Writing Credits : Franck Neel.

"A Letter to Three Wives" - With Charles Frank as Brad Bishop.  Also with James Staley as Frank.  Writing Credits (screenplay): Charles Frank.

"Life Goes On" "Struck by Lightning" - With Ed Evanko as Frank.

"Lille lørdag" "Episode #1.3" - With Henrik Mestad as Frank.

Little Manhattan - With Franny Flackett-Levin as Young Rosemary.  Also with George Riddle as Frank.  Writing Credits (written By): Franny Flackett-Levin.  Executive Producer: Kara Francis.  Co-construction Coordinator: Frank Didio.

Lock Up - With Sylvester Stallone as Frank.  Also with Frank McRae as Eclipse.  Also with Frank D'Annibale as Guard.  Also with Frank Pesce as Johnson.  Writing Credits (written By): Frank McRae.  Writing Credits (written By): Frank D'Annibale.  Writing Credits (written By): Frank Pesce.  Second Assistant Director: Frank Capra III.  Stunt Coordinator: Frank Orsatti.

A Long Way Off - With Robert Davi as Frank.

Love & Other Unstable States of Matter - With Sam McMurray as Frank.

Love in the Key of Z - With Kevin Miller as Frank.

"Love Ya. Not So Much" "#FML" - With Mitch Garling as Frank.

"Lucky Luke" "Le fidanzate di Lucky Luke" - With John Quade as Frank.  Administrator: Gianfranco Masciola.

"Lynch" "La causa" - With Jorge Monterrosa as Frank.

"Mafia Doctor" - With Danny Nucci as Frank.  On-line Editor: Frank Biasi.

Making Out - With Geoff Burkman as Frank.

Man Wanted - With Kayin Malik as Frank.

The Marriage Bargain - With Francis McDonald as Ben Ainsley.  Also with Harold Johnson as Frank.  Writing Credits (story): Francis McDonald.  Sound: Frank McKenzie.

"The Mating Machine" "Who Sleeps on the Right?" - With Martin Shaw as Frank.

Me, Tommy and the Brothers - With Tony Pizarella as Frank.  Also with Christopher Tighe as Frank's Boss.  Also with Frances Rodriguez as Pregnant Lady.  Writing Credits (screenplay): Frances Rodriguez.

"Men of the World" "The Dice of Life" - With Paul Haigh as Frank.

Messi - With Franco Casanova as Himself.  Also with Francesc Pagès as Directivo.  Also with Jeffrey Spalburg as Frank.  Also with Juan Franco Tallo as Amigo 2.  Also with Franco Yanquerimachi as Chico Roba Bici 1.  Writing Credits (as Jorge Valdano Saenz De Ugarte): Franco Casanova.  Writing Credits (as Jorge Valdano Saenz De Ugarte): Francesc Pagès.  Writing Credits (as Jorge Valdano Saenz De Ugarte): Juan Franco Tallo.  Writing Credits (as Jorge Valdano Saenz De Ugarte): Franco Yanquerimachi.  Makeup And Hair (as Francisca Cespedes): Paquita Céspedes.  Props: Francisco Gámez.

"Mile High Laci" - With Chaz Grundy as Frank.

The Minx - With Vincent Francone as Vinnie.  Also with Paul Perroni as Frank.  Also with Nathan Trares as Frank's Friend.  Writing Credits (written By): Vincent Francone.  Writing Credits (written By): Vincent Francone.

Mission Improbable - With Ken Dohse as Frank.

Mommy's Box - With Judy McCormick as Aunt Fran.  Also with Luis Ruiz as Frank.

"Moone Boy" - With Patrick McDonnell.  Also with Frances Healy.  Also with Steve Coogan.  Also with Natalia Kostrzewa.  Series Writing Credits (17 Episodes, 2012-2015): Frances Healy.

The Motel Life - With Emile Hirsch as Frank.  Also with Andrew Lee as Young Frank.  Foley Editor & Mixer (as Frank Aglieri-Rinella): Frank Rinella.

"Mr. D" "Gerry Wants to Stay Married" - With Bill Wood as Frank.

"Muckrakers" "The Inks" - With David Podsiadlik as Frank.

Musical Man - With Eckhard Preuß as Frank.

"My Crazy Ex" "Til Death Do Us Part" - With Thomas Pierre Maddox as Frank.

"My Name Is Earl" "Randy in Charge: Of Our Days and Our Nights" - With Michael Rapaport as Frank.

Mystery Mansion - With Mark Blackney as Frank.

National Theatre Live: The Kitchen - With Neal Barry as Frank.

"Nestwärme" - With Volkert Kraeft as Frank.

"Never Too Young" "Episode #1.77" - With John Lupton as Frank.

"Newlyweds" - With John Wood.  Also with Franco Giordano.  Series Writing Credits (1 Episode, 1994): Franco Giordano.  Lighting Director / Lighting Assistant (3 Episodes, 1993): Frank Racing.  Technical Director (15 Episodes, 1993-1994): Frank Ward.

Night Life - With Alan Blumenfeld as Frank.  Assistant Makeup Artist (as Frank Carrisosa): Francisco X. Pérez.  Mechanical Special Effects / Special Effects Coordinator: Frank Ceglia.

"Nikki" "Bottoms Up" - With Terry Rhoads as Frank.  Producer: Frank Pace.  Set Designer (as Francoise Cherry): Francoise Cherry-Cohen.

No One Could Protect Her - With Peter MacNeill as Frank.

"North by Northamptonshire" "Five" - With Rufus Wright as Frank.

Notes from a Sealed Room - With Ted Herbig as Frank.

Nursery Crime: Humpty Dumpty - With Ryan McDermott as Frank.

The Off Hours - With Amy Seimetz as Francine.  Also with Ron Carrier as Frank.

Oldboys - With Nikolaj Steen as Frank.

"One Day at a Time" "Bring in the Clowns" - With Shelley Fabares as Francine Webster.  Also with Jonathan Schmock as Frank.  Production Supervisor: Fran McConnell.

"One Way" "Mad World" - With Hykie Berg as Frank.

Or Your Money Back - With Brent Wisener as Frank.

Otra Vida - With Sean Bolger as Frank.

The Outfit - With Brian Michaels as Frank.

Palermo Shooting - With Dennis Hopper as Frank.  Also with Francesco Guzzo as Giovanni (uncredited).  Writing Credits (collaboration): Francesco Guzzo.  Line Producer: Italy: Gianfranco Barbagallo.  Cinematography by: Franz Lustig.  Unit Manager: Italy: Francesco Trifirò.  Scanning: Frank Richter.  Costume Assistant: Francisco Ranellucci.  Post-production Coordinator: Francesca Hecht.  Production Secretary: Francesca Hecht.

La partita - With Francesca Antonelli as Mamma di Daniele.  Also with Franca Bastreghi as Comparsa.  Also with Francesco De Fabiani as Comparsa.  Also with Francesco de Maso as Comparsa.  Also with Francesco De Miranda as Matto.  Also with Francesca Nuti as Comparsa.  Also with Francesco Pannofino as Claudio Bulla.  Also with Riccardo Russo as Frank.  Directed by : Frank Jerky.  Writing Credits : Frank Jerky.  Writing Credits : Francesca Antonelli.  Writing Credits : Franca Bastreghi.  Writing Credits : Francesco De Fabiani.  Writing Credits : Francesco de Maso.  Writing Credits : Francesco De Miranda.  Writing Credits : Francesca Nuti.  Writing Credits : Francesco Pannofino.  Producer: Frank Jerky.

"Pastor Greg" "Friendship" - With Jack Blackburn as Frank.

"Peas in a Pod" - With Seth Coltan as Frank.

"Perfect Disaster" "Mega Flood" - With David Sterne as Frank.

"Pete Versus Life" "Marriage of Convenience" - With Philip Jackson as Frank.

"Pickles: The Dog Who Won the World Cup" - With Jared Garfield as Frank.

"The Plane Makers" "One of Those Days" - With Michael Rothwell as Frank.

Point of Deception - With Philip Nast as Frank.

Pootie Tang - With Dave Attell as Frank.

Prazský kat - With Frantisek Ruzicka as Reeve.  Also with Jan Richter as Frank.  Also with Frantisek Lasek as Headsman's Helper.  Also with Frantisek Jerhot as Robber.  Writing Credits : Frantisek Ruzicka.  Writing Credits : Frantisek Lasek.  Writing Credits : Frantisek Jerhot.

"Prisoners Wives" "Episode #1.6" - With Polly Walker as Francesca.  Also with David Bradley as Frank.

Prokleti pas - With Greg De Cuir as Frank.

Punk Rock - With Martin Ford as Frank.

"Quelle famille!" - With Jean-Pierre Malignon as Frank.  Writing Credits (play): Francis Joffo.  Stage Director: Francis Joffo.

Rage - With Steve Buscemi as Frank.  Technical Manager: Digimage: François Dupuy.

"Raw" "Episode #1.1" - With Frank O'Sullivan as Garda.  Also with Feidlim Cannon as Frank.  Writing Credits (written By): Frank O'Sullivan.  Unit Driver: Frank Tobin.

Recollection - With Chris Delorenzo as Frank.  Also with Tim Marston as Frank.

The Redemption of Henry Myers - With Kevin Wiggins as Frank.

Renegade - With Edward Petrossi as Frank.

The Resurrection of Tony Gitone - With Ron Lea as Frank.

Revenge Flick - With Dan Gerics as Frank.

Riding the Wave: Strategies for Change - With Jeff Coopwood as Frank.

Road to Nhill - With Robin Cuming as Frank.

Romeo - With Arjan Kindermans as Frank.  Producer: Frans Rasker.  Chief Electrician: Franc van Zutphen.  Title Designer / Titles: Frans Wamelink.

"Roseanne" "Vegas Interruptus" - With Gary McGurk as Frank.  Gaffer: Frank Doll.  Camera Operator (as Frank Marciante): Frank Marciate.

RPG - With Joe Gandurski as Frank.

"Rundt om Selma" - With Buster Larsen as Frank.

Sadistic Eroticism - With Aaron Granillo as Frank.  Also with Francis Sampieri as Chastity Student.  Writing Credits : Francis Sampieri.

Sara Rose - With Michael Hennessy as Frank.

Scare Me - With Rodney Pickel as Frank.  Film Editing by : Franklin Petr.

"Science Fiction Theatre" "Spider Inc." - With Robert Clarke as Frank.  Also with Frank Hanley as Dr. Hemingway.  Writing Credits (screenplay): Frank Hanley.

"Scribbles" "About Last Night" - With Blake Curtis as Frank.

"The Secret Files of the SpyDogs" - With Frank Welker.  Also with Jess Harnell.  Also with Estelle Harris.  Series Writing Credits (2 Episodes, 1998-1999): Frank Welker.

The Senator Was Indiscreet - With Francis Pierlot as Frank.  Also with Frank McLure as Man on Dais (uncredited).  Also with Franklin Parker as Reporter (uncredited).  Writing Credits (story): Francis Pierlot.  Writing Credits (story): Frank McLure.  Writing Credits (story): Franklin Parker.

"Seven Days" - With Nicholas Bloodworth as Frank.

Sexy Boys - With Jérémie Elkaïm as Frank.  Also with François Toumarkine as Le prof de biologie.  Writing Credits : François Toumarkine.  Associate Producer: François Ivernel.  Costume Design by: François Billard.  Unit Manager Runner: Guillaume Lefrançois.

She Could Be You - With Amber Frank as Jennifer Marteliz (as Amber Montana).  Also with Dio Mazurek as Frank.  Also with Salem Murphy as Frances.  Writing Credits (writer): Amber Frank.

"Ship to Shore" "Rites of Salvage" - With Francoise Sas as Amy Docherty.  Also with Steve Shaw as Frank.  Writing Credits (co-developer): Francoise Sas.

"Showbands II" - With Don Wycherley as Frank.  Casting By: Frank Moiselle.  Second Focus Puller: Sarah Francis.

Silicon Towers - With Joe Perez as Frank.  Stunts: Oscar Franco.

"Six Faces" "True Life" - With Johnny Shannon as Frank.

Slam Dance - With Robert Beltran as Frank.  Stand-in: Camille Franklin.  Legal Services: Frank Gruber.

"Slings and Arrows" "All Blessed Secrets" - With Michael Polley as Frank.  Adr Recordist: Frankie D. Harrison.

Smelly - With Rory Wilton as Frank.

"Softly Softly: Task Force" "Hostage" - With Leslie Schofield as Frank.  Also with Frank Windsor as Det. Supt. Watt.  Writing Credits (format Creator): Frank Windsor.

"Someone I Touched" - With Andrew Robinson as Frank Berlin (as Andy Robinson).  Also with Les Lannom as Frank.  Script Supervisor: Frank Tudisco.

"Sorry!" "Bottom of the Class" - With Roy Holder as Frank.

"South Beach" "Episode #1.1" - With Casey Levens as Frank.  Second Assistant Camera: Jonathan Franklin.  Gaffer: Franke Lemaire.

Speed Limit - With Tom Luce as Frank.

"Spouse for House" "The Proposal" - With Linden Furnell as Frank.

Stage Struck - With Frank Campanella as Victor.  Also with Jack Weston as Frank.  Also with Steve Franken as Dressing Room Well-Wisher (uncredited).  Writing Credits (from A Play By): Frank Campanella.  Writing Credits (from A Play By): Steve Franken.  Director Of Photography (as Franz F. Planer): Franz Planer.  Film Editing by: Stuart Gilmore.

The Station - With Anthony Cosmano as Frank.

"Still Life" - With Bernard Hill as Frank.

Stowaway - With Max Gold as Frank.

Streets - With Jase Haber as Frank.

Sugar Orange - With Bruno Cathomas as Frank.  Continuity: Franziska Jahn.

"The Super Man" "Quincanera" - With Frank Marino as Ralphie.  Also with Kenny Suarez as Frank.  Writing Credits : Frank Marino.

Suspension - With Rustin Gresiuk as Frank.

Synarchy: The Awakening - With Terry Milam as Frank.

Taking Woodstock - With Clark Middleton as Frank.  Also with John Francis Duggan as Film Crew Member (uncredited).  Also with Clark Frankel as Hippie (uncredited).  Writing Credits (book): John Francis Duggan.  Writing Credits (book): Clark Frankel.  Rigging Gaffer (as Francis J. McBride): Frances 'Buddy' McBride.  Electrician (uncredited): Frank La Frazia.  Location Assistant (uncredited): Michael M. Franklin.

TapeWorm - With Brandon Hursell as Frank.

"Team Kwistenbiebel" "Episode #1.2" - With Nico Sturm as Frank.

"Tempos Modernos" "Episode #1.12" - With Márcio Seixas as Frank.

Tender as Hellfire - With Jeff Edwards as Frank.  Line Producer: Francis Mitchell.

"That Girl" "Shake Hands and Come Out Acting" - With John Aprea as Frank.  Also with Frankie Van as Mel.  Writing Credits (written By): Frankie Van.

Things Happen for a Reason - With Giuseppe Miggiano as Frank.

This Is Sanlitun - With Christopher Loton as Frank.

Thrilled to Death - With Rocky Dilorenzo as Frank.  Also with Brouke Franklin as Waiter.  Also with Frank Stewart as Griswald.  Writing Credits (writer): Brouke Franklin.  Writing Credits (writer): Frank Stewart.

"Tim and Eric's Bedtime Stories" "Baklava" - With Dan McBride as Frank.  Also with Frank Gerrish as Mr. Ortiz.  Writing Credits (created By): Frank Gerrish.

To Catch a Dyslexic Predator - With Matthew Warzel as Frank.

Tomorrow Never Comes - With Stephen McHattie as Frank.  Director Of Photography (as Francois Protat): François Protat.  Film Editing by: John Shirley.  Art Direction by: Michel Proulx.

Tous les autres, sauf moi - With Rony Kramer as Frank.  Co-producer: François Landry.  Director Of Photography: Jean-François Lord.

Trapped - With Keston John as Frank.

"Trial by Fire" - With Francis Damberger as Frank.  Directed by : Francis Damberger.  Writing Credits : Francis Damberger.

"True Nightmares" "My Beloved Smother" - With Jeff DuJardin as Frank.

"Tutte le ragazze con una certa cultura" "I ciclotimici" - With Francesco Fanuele as Frank.

Two Nights - With Rudolf Martin as Frank.

"Unbreakable Kimmy Schmidt" "Kimmy Walks Into a Bar!" - With Joseph Dellger as Frank.

"Undergrad" "underSUSPICION" - With Brandon Rachal as Frank.

University Heights - With Brad Fandel as Frank.

The Untold Story: Vizconde Massacre II - May the Lord Be with Us! - With Dale Villar as Frank.  Production Design by (as Abelardo Dho Hulleza): Gabby Francisco.

Vampire Dog - With Ron Pederson as Frank.  First Assistant Camera: Dean Frank.

Vera Drake: Cast and Crew Documentary - With Adrian Scarborough as Frank (archive footage) (uncredited).

Villmark 2 - With Tomas Norström as Frank.

The Voice That Was Louder Than Before - With Gianna Frangella as Karlee.  Also with Titus Covington as Frank.  Writing Credits (attached): Gianna Frangella.  Boom Operator: Fransisco Phoenics.

Wake Up Running: A Story of Losers - With John Forde as Frank.

Warlords - With Sam Hiona as Frank.

"Web Atlas" "Frank" - With Jim Carlson as Frank.

Wenn es Nacht wird auf der Reeperbahn - With Frank Nossack as Volker.  Also with Joachim Richert as Frank.  Writing Credits (written By): Frank Nossack.  Cinematography by (as Franz X. Lederle): Franz Xaver Lederle.  Film Editing by (as Franz X. Lederle): Renate Willeg.

When a Killer Calls - With Derek Osedach as Frank.

White Wolves III: Cry of the White Wolf - With Frederick Dawson as Frank.  First Assistant Director: Eva Franzen.  Stunts: Frankie 'G' Garbutt.  Music Supervisor (as Paul Di Franco): Paul Di Franco.

Wildcards - With Garry McMahon as Frank.

Winter Has No Sun - With Dean Komondorea as Frank.

Without - With Ron Carrier as Frank.

"Wormhole Wastrels" "Episode #1.1" - With Alex Slagle as Frank.

"Wulla Wussa" "Laufen und laufen" - With Jan Krebs as Frank.

York Street - With Raymond Francis Goffio as Tony.  Also with Dennis Maddocks Jr. as Frank.  Also with Frank Perretti as Pete.  Writing Credits (writer): Raymond Francis Goffio.  Writing Credits (writer): Frank Perretti.

Zahrada - With Ludek Kopriva as Frank.  Also with Frantisek Husák as Man in rubber coat.  Writing Credits (writer): Frantisek Husák.

Zombies in the Basement - With Don Scribner as Frank.

Zyles - With David Combs as Frank.  Also with Luigi Francis Shorty Rossi as Zyles (as Melvin Rossi).  Writing Credits : Luigi Francis Shorty Rossi. 

"Green Acres" "A Royal Love Story" - With Frank Cady as Sam Drucker.  Also with Peter Frank as Pierre (as Raoul Frank).  Also with Bob Frank as Man.  Writing Credits (written By): Frank Cady.  Writing Credits (written By): Peter Frank.  Writing Credits (written By): Bob Frank.  Musician: Percussion (uncredited): Frank Capp.  Animals Trained By: Frank Inn. 

Leah Kleschna - With Frank Hall Crane as Raoul Berton (as Frank H. Crane).  Writing Credits (play): Frank Hall Crane. 

Black Ops 2 the Musical - With Logan Hugueny-Clark as David 'Section' Mason / Mike Harper / Sgt. Frank Woods / Alex Mason / Psy / Farid / Raul Menendez (voice). 

Chez Risqué - With Francesco J. Caputo as Mr. Caputo.  Also with Raulph Depiro as Detective Frank Spano.  Also with Alix Jean-Francois as Professor Williams.  Writing Credits : Francesco J. Caputo.  Writing Credits : Alix Jean-Francois. 

"Los 80" "Después de la tormenta" - With Raúl Fernández de Pablo as Franky (as Raúl Fernández). 

"Los 80" "Más que amigos" - With Raúl Fernández de Pablo as Franky (as Raúl Fernández). 

Roger Corman's Frankenstein Unbound - With Raul Julia as Victor Frankenstein.  Costume Design by: Franca Zucchelli.  Assistant Camera: Franco Rosignoli.  Driver: Francesco Pettinicchio.  Production Services: Italy: Franco Mancarella. 

"Run for Your Life" "It Could Only Happen in Rome" - With Peter Frank as Stiner (as Raoul Franck).  Writing Credits (writer): Peter Frank.  Assistant Director: Frank Losee. 

Sugar - With Francia Teresa Andujar as Aunt Lola.  Also with Braulio Castillo as Frank.  Writing Credits (written By): Francia Teresa Andujar.  Unit Production Manager (as Francis Disla): Francis "Indio" Disla Ferreira.  Security Chief: Dominican Republic: Francisco Gomez Polanco. 


And of course, as a fan I would be remiss if I didn't include...

Outrageous Fortune - With George Carlin as Frank.  Sound Recordist (uncredited): Frank A. Fuller Jr..