Sunday, October 21, 2012

G.I. wanna see "G.I. Wanna (Go) Home" again

I could probably review this one in my sleep, but I'll re-watch it anyway.  The busy week's over for the most part.  Next week will be another bi... another long slog to a paycheck.  Well worth every penny, however.  I'm budging!  I'm budging!

ACT ONE

We start in an unusual way: a close-up of Larry's uniformed chest.  Not as trim as Train, probably, but more iconic over the long haul.  Curly misses his line cue, but you can't blame him at this stage of his career.  As you may have learned early on watching the Stooges, they can't do anything the easy way.  Case in point: the simple act of hitching a ride.  This is just after the war, mind you.  The country was unified in victory, helping hands for everyone, morale as high as it's ever been.  So here's the Stooges, three guys in uniform, trying to thumb a ride in a car.  Do they get picked up?  No!  I guess the people knew better or something.
First attempt: they get their pants lightly splashed by a passing car.  Serves them right for standing next to such an epic puddle.  To make matters worse, Larry's the meat of a hit-in-the-head-by-duffel-bags sandwich.  But he quickly recovers as the plot's laid out.  The Stooges have recently married, and are now on their way to their new house.  In Larry's excitement, he lays down a little whoop-ass of his own with his duffel bag.  But where's his parade?  Just this blog post, I suppose.  A sobering thought.  But wait!  Time for their second attempt to hitch a ride.  We see the car roll slowly through the mud, but it ends up making a bigger splash.  Curly gets a muddied face.  Well, all their mugs get muddified, really, but Moe gets the least of it.  Curly must've been nearest to the guy throwing mud off camera.
Thank God for taxis!  The Stooges finally get a lift, but Curly needs some hazing to get into the cab.  Moe says "418 Meshuggenah Ave., down by the Winnegar-Woiks."  I'm pretty sure that's gone by now.  Or was that 024 Bingo Street?  Anyway, Curly worked much harder than he had to, as this seemed to all be done in one take: Curly gets poked in the ass by a pin that that bastard Larry was holding, and he ends up completely out of the taxi in the street.  He grabs his duffel bag and runs after the taxi.  All in one take.  In his condition, no less!
Next scene: the boys arrive at the place of their new abode, when... all their stuff's on the street!  And their brides-to-be are sitting on the street, sobbing... no, not because they're getting married to the Stooges, but because they've been "dispossessed."  "It's the new American custom!" says Tessie.  Perhaps her greatest, most well-known line reading.  Notice the Stooges still have the same mud on their face, only slightly not as much.  Curly's face seems a little cleaner than before, but there's still enough of the mud left.  But the main thing is: where are these six going to live?  Fade to black, then fade in on a car going slowly down the street.  We see why in a second or two.  Curly is towing the car!!  I'm assuming they have someone pushing behind the car to help, even though we can't see him.  Curly takes a well-deserved lunch break.. well, starts to, anyhow.  We don't get a cutaway of Moe and Larry getting out of the car, but out they get, and go over to scold Curly.  Curly says to Moe, "Listen, you!  If I'm going to work like a horse, I'm going to eat like one."  He starts to take a bite of the sandwich, but stops, perhaps sensing that physical abuse is just round the corner.  Moe says "Wait a minute... that's a pretty nice sandwich!"  And then... Moe beats Curly with his own sandwich.  Fortunately, Larry brings things to a halt, as he usually does, by noticing something well off-camera.  He says "Look!"  He's got other lines, don't worry. 
Next scene: a sign saying "Apartment for Rent."  They rush over, and Moe starts knocking on the door.  In his fervor, he doesn't notice that he's knocking on the dude's head.  You  know how it is.  Popeye rings Olive's nose instead of one of those fancy old-timey twist bells in the door.  The guy gives a lackluster "Hey!" in response, but he gives a much more inspired "HEY!!!!" when Moe pokes him in the eyes.  And he deserves it, too, the chiseler.  Renting an apartment by the hour.  The very idea. 
And then... time for a rare montage of various "No vacancy"-esque signs.  I think they recycled a few of them.  Conscientious, but a bit tedious for the stimuli-hungry moviegoer.  Next scene: the Stooges are up against Landlord Symona Boniface.  She gets an all-too-brief role here as the Margaret Dumont-ish type, telling the low-class Stooges off.  Ten times, no less!  She saved herself a lot of grief this time.
Next scene: the offices of ... how to put this gently?  Three Jews and one Irishman, real-estate brokers.  The director dwells on this scene for a good long while.  It was half the budget, for Pete's sake!  The Stooges have to dwell on a second sign: a chalkboard saying, in so many words, there's no land available.  'Tis worse than the 2008 housing bubble, I tells ya.  Larry provides some plot exposition: they sent the girls home to their mothers.  Lucky for us, we get to concentrate on the delightful capering of the boys this way.  Curly puts his foot down and says "I'm not budgin'!"  Moe and Larry tag team him, and they end up carrying Curly away literally by his ears.  Curly's mug comes toward the camera as he screams "AAAH!  I'M BUDGIN'!  I'M BUDGIN'!!!"  Perfect chance for an act break, even though it's a tad too early.  Fade to black.

ACT TWO

Fade in: we see Moe and Larry sitting on the couch.  Moe's smoking a pipe.  There's a visual joke that I hate to spoil, so I'll try not to.  Needless to say, it's a fine comment on façades, and that even the Stooges rely on them from time to time.  There's a knock at the door to spoil their alternative lifestyle domesticity.  There's a squabble over who will answer the door.  Larry decides "We'll BOTH answer it!"  This scene answers the question: if Moe hits Larry in the head in the forest, does it make a sound?  Damn.  Spoiled the joke.  The camera awkwardly dollies back to show that it's turned into a Lars von Trier film, only not as long, and no words on the floor.  Moe and Larry approach the door, hearing two sets of nine knocks.  Surely the devil-worshippers out there find some significance in this?
Screenwriters: time to pay attention.  Moe and Lawrence have an ugly encounter with a stranger at their door.  Fuming from this, they're ready to take it out on the next schmo that tries some funny business like that.  Unfortunately, it's the innocent Curly who receives their pent-up wrath.  Moe hits Curly on the head with a shovel, and Larry breaks a bottle over Curly's head.  Curly grabs his ankle in response.  Lol.  I know, I shouldn't laugh at that, but it's been a long day.  Curly burns some valuable celluloid time monkeying with his oversize corn-cob pipe.  The episode ends with Larry getting pissed off: "Hey!  What's the idea of spilling dirty ashes on our nice clean floor?"  Moe: "Sweep 'em up!"  Curly exits Stage Left to oblige, but does he have to be happy about it, too?  Time for another time-stretcher.
Party Planner Moe starts ordering Larry around: "You knit some doilies for the girlies!"  Suddenly, Moe's train of thought is interrupted by the loud sound of Curly with a hand-powered lawn mower.  He runs over the spot where the ashes were dumped a few times, saying "That's it.  It's finished!"  Moe says "Finished?  It's worse than it was before!  SWEEP UP that loose grass.  That's an order!"
This gives Curly the perfect opening, and he salutes Moe, hitting him on the side of the head afterward.  Moe's hair shakes from the smackdown.  Moe realigns the Stooge-ic energy of the universe by kicking Curly in the ass as he walks away Stage Left with the lawnmower.  Now, maybe it's me, but doesn't it sound like Larry getting kicked in the ass at 6:05?
Anyway, Party Planner Moe gets back to work telling Larry his big plan for the open space they're living in.  He's interrupted AGAIN by Curly, but Curly's upped the technological stakes considerably.  Now he's got a vacuum cleaner with a horn on it.  Moe and Larry get a nice close-up of their double take.  Curly's just vacuuming right away as happy as a kosher clam, when he does a double take of his own.  Those two other chuckleheads are standing in his way!  Time to activate the horn.  They jump aside, as Curly's bitches often do.
Moe's too confused to strike back.  Plus, he notices it's time for supper.  Larry barks back "Yeah?  Well, all we got is potatoes!"  Moe orders Curly to peel some potatoes.  Curly asks "How do you do dat?"  Moe says "Just PEEL 'em!"  Are you feel the game changing yet?  Curly gets slapped, but he takes it like a man and gently, quietly tiptoes off Stage Left to peel some potatoes.  Moe and Larry leave Stage Right.  The vacuum cleaner stays, sucking away.  We haven't gotten to it yet, but this seems an awful lot like the horn that lasts forever in the Stooges' notorious Pardon my Backfire.
Now, time for the subepisode that'll burn a few minutes and keep Moe and Larry occupied.  Moe says "One of the neighbor's chicken's got a nest up there.  There might be eggs in it.  Go up and see."  Think about that for a second.  For you big city types who've never seen a farm, chickens don't usually lay eggs in nests in trees.  Auracanas, maybe, because they're light; otherwise, not.  But why should that spoil our fun?  Meanwhile, back to Curly, who's preparing to shave some potatoes.  Nice foley work at 7:13.  Excuse me, but I have to run to the bathroom now...................... that's better.  Okay, I'm back.  The memory of An Ache in Every Stake lives on as Curly takes extra care to make sure the potatoes are completely inedible.  Cut back to the vacuum cleaner at 7:32.  Lol.  Back to Curly who just takes it too far.  Curly finally finishes up one potato, drops it in the pot, and says "Next!"
Not time for an Act Break just yet, even though it might seem like it.  Finally we get back to Lawrence, and voilä!  We see the chicken Moe spoke of earlier.  Holy crap!  Chickens really do have nests in trees!  The chicken, having its nest disturbed by Larry, flies away and surely plummets to the ground.  The ASPCA will hear about this!  Larry, an avid indoorsman, has trouble climbing the tree, but has just enough strength to tilt the nest and drop an egg into Moe's hand.  Time for another time stretcher.  So, we're on Moe at 0:28.  There's a skeeter buzzing around Moe's sleeping head.  It takes him six seconds to use his egg-filled hand to try and kill said skeeter.  It stops buzzing after Moe's got egg on his face; can't argue with resluts!  Moe gets mad at Larry, telling him all too late to be careful with the g... the gosh darned eggs.  Larry says "I can't get up any higher!"  Moe says, "Well, tilt the nest and I'll catch the eggs!"  Larry obliges, and Moe tries to catch the eggs.  And "tries" is being too generous.  Moe catches about five eggs with his face.  He seems to have no hand-eye coordination at all!  Good timing for it, anyhow.  Moe says "It's a good thing there wasn't anymore!" and looks up again.  Moe gets hit with another egg at 0:59.  I bother to point this out because he apparently didn't have his eyes shut when this one hit.  Also, the sound guy seems to be chuckling to himself.  When we were younger, my close friend and I noticed this seemingly slight detail, and dwelled upon it for a long time back in the VHS era, damn near wearing the tape down almost as much as old tapes of Fast Times at Ridgemont High.  God bless YouTube!
Moe also gets hit by another egg soon after the 0:59 egg.  To cut to the chase, he then gets hit by a falling Larry after Larry steps on the wrong tree branch.  Moe lifts Larry up by his hair and we hear a faint tearing sound.  Cut back to the vacuum cleaner, growing larger with the passage of time.  As we dwell on the vacuum, Moe chews out Larry good, much like he did in Crash goes the Hash while the parrot climbed into the Trojan turkey.  The vacuum cleaner bag damn near gets translucent at about 1:22.  Curly soon joins in on all the fun and, as in Miller's Crossing, Curly asks "What's all the rumpus?"  Moe grabs the pan from Curly's hand, saying "I'll rumpus him (Larry) in a minute," but Moe ends up dumping water on his face.  At least that'll help get the egg off!  Moe deals out physical abuse until the vacuum cleaner finally explodes.  We cut back to the vacuum which now has a bag that will explode on cue.  It fills to bursting, then explodes.  Cut back to the Stooges, who get hit with large amounts of cut grass.  Moe says "I'm in PAIN!  And I'm wet!  AND I'M STILL HYSTERICAL!!!"  No, wait, that's The Producers (1968).  I don't know if Matthew Broderick got to say that or not.  No, Moe says "Now you wrecked the vacuum cleaner! (Curly)  And you ruined the dinner! (Larry) ... NOW WE'RE GONNA GO HUNGRY! (double slap to Curly and Larry) What's the MATTER with you guys?"  Moe hits the highest note he's probably ever hit.  Larry's able to calm everyone down, however, with a clever idea: "How about some roast chicken?"  We hear clucking as a reminder.  Time for Plan L; screw the neighbours.  The Great Depression's not over just yet.
Larry runs back with a shotgun.  An epic battle ensues between Larry and Moe over who will fire the victorious food-bringing shot.  Curly damn near gets the full Whittington!  And then... screenwriters take heed.  The gun fires, giving us a new, unforeseen target.  Misfired bullets in Stooge films often bring ducks; this time, it's a larger goose.  Moe disrespectfully stretches the dead goose's wings in his excitement at about 2:27 or so.  Cross-fade to next scene.
Next scene: Moe takes the goose out of the oven a little too quickly, and doesn't use any oven mitts.  His hands sound like a house on fire.  But Moe's quick on his feet, and he looks for the nearest, most stable flat surface he can place this hot goose on, and picks Larry's back.  God, however, is clearly not on the Stooges' side this time, unlike Crash goes the Hash, as Larry stands up straight and the goose plummets to the ground.  I guess it's because this is the Stooges' own dinner, and not dinner guests they're cooking for.  The goose is quickly salvaged, however, as Moe brushes it off and places it on the table.  Say, that goose isn't made of plastic, is it?  Moe quickly gives Curly and Larry their dinner marching orders, and Moe says "I'll boil some spinach!"  Now, I'm no chef myself.  I can put a few things together, especially if the recipe calls for Costco rotisserie chicken, but this part especially gets under my skin, as Moe grabs tufts of mowed grass and plops them into his pan, grunting with pride as he goes.  He grabs an especially big hunk of grass with the dirt still on, and plunk!  Into the pan it goes.  If they don't have this clip in Hell, then it's clearly not the Hell we read of in the Bible.  And then... cut to the parrot who sets that old gag in motion again.  Sure, it was only in Crash goes the Hash, if memory serves... and it doesn't, but just remember how hard the director and crew members had to work to get this scene right.  Just call that parrot... the fourth Stooge.  Maybe the fifth after Emil Sitka.  Why, we even get some genuine audio at about 3:17!  ...maybe not.
Cross-fade to dinner proper, where Moe dishes out boiling hot grass, calling it "spinach."  He's a great salesman when he wants to be.  Maybe they'll all turn into Popeye and beat the sh... tuffing out of each other.  Meanwhile, Curly's busy sharpening the carving knife.  You don't often see that!  But this isn't a Marx brothers film, and the Stooges don't usually engage in joie de vivre when it comes to food... would that be joie de nouriture?  And so, the ancient Pagan ritual begins in proper, when Curly pokes the main course with his two-tined fork, and a mighty "AWK!" rings out.  Hungry Moe ratchets up the dramatic tension, telling Curly to go ahead and carve that goose!!!  "I can't!  Our goose ain't cooked!" says Curly.  I guess S. J. Perelman was ghost writing for the Stooges or something.  Moe immediately takes matters into his own hands and takes his own stab at the goose.  And at about 3:47, we get a second mighty "AWK!" when Moe takes his turn.  Actually, I think it's the same "AWK!"  Get used to it now, folks, because you're going to hear it again when Shemp joins this ragtag team.  Larry, busy enjoying his steamed lawn trimmings, gets up and takes charge, demanding the goose be carved.  Moe says "I'm afraid to.. touch it!"  Larry's the last to be converted, as he touches the goose, moving his hand in a tickling fashion, and so we hear a mighty laugh.  Now they're all pee-their-pants scared.
Moe quickly, tepidly, takes charge again, saying "I know.  We forgot to stuff it! (the goose)"  Fortunately for time's sake, they've got a plate of crackers to stuff the goose with.  Curly's put in charge of the stuffing.  He holds a cracker up to the opening and the "parrot" grabs the cracker.  Curly wasn't paying attention, so he doesn't know what happened.  Plus, that whole stroke thing.  Poor Curly.  At 4:20 we see dubbing at work; on-screen Curly says "You know,..." but audio-booth Curly says "You know, Moe, something funny happened to me......"  I just love that kinda stuff.  Second cracker disappears.  Curly n'yaah-yaahs in fear.  After much ado about stuffing... not bad, huh?  Anyway, Larry takes charge once again, giving the bird a light taste test, a smell test, and then... the cavity test doesn't pass, for lack of a better word.  Thinking more crackers are coming, the parrot grabs a hold of Larry's giant proboscis with a vengeance.  Moe takes the parrot away, and Larry nurses his nose back to health.  This gives Curly a chance to take a couple bites out of the goose for good measure.  Moe catches him red-handed... or mouthed, and bonks him on the head.  Order is restored to this domestic scene, and Moe's about to serve dinner proper, when the rudest tractor driver in the world comes in and destroys everything.

ACT THREE

Well, it's short, anyway.  After narrowly escaping the tractor, the Stooges arrive with their brides at a genuine house.  It's a bit small, but the six of them are apparently going to share the space.  Cults have been built upon less.  We get the full tour: one room contains the living room, dining room and kitchen, and the other room's the bedroom.  There's a third room as well: the bathroom.  The three brides quickly make their escape and go into the bathroom.  Larry tells them their suitcases are in the bathtub.  Something weird about that...
Well, it's been a long film, and the boys get ready to go to sleep.  They've got two triple bunk beds, and... you'll never guess what happens!  Much the same thing as in I Can Hardly Wait.  Alas, Curly's song is a little more decrepit this time, post-stroke... and yet, I can't stop listening to it.  Is there a moral to all this?  Probably not, but if I had to come up with one, I'd say "Don't count your bruises until they are hatched."  Something like that.  Curly instantly breaks the bunk bed by taking the top bunk, emerges from the Stooge-filled rubble and says "Whaddaya know?  I didn't get hoit!"  Moe respectfully disagrees, saying "Oh, yes you did!" and repeatedly slugs him in the stomach until the final fade out.  Well, it beats running off into the distance, as with all their Stooge cartoons featuring Curly Joe DeRita.  At least, the few that I saw.  Couldn't take too many of those, for some reason.

****
-so sayeth The Movie Hooligan

Auteur watch - ...any suggestions?

Box office activity

Say it isn't the last one!  Paranormal Activity 4 rules the box office, and probably will Halloween weekend as well.  Maybe it'll outlast the Saw franchise, who knows.  Then again, sometimes it's better to quit while you're ahead.  The only other debut this week is Alex Cross, and of course all the haters out there are gonna hate.  Or maybe they'll back off because it debuted so weakly.  Still, it's quite a vocal anti-fan base that director Rob Cohen and star Tyler Perry have... or is it just me?  Probably just me.  Still, I'd hate to see that Venn diagram of the two bases coming together against this film.
In the meantime, Variety.com's all over the performance of Argo.  They went so far to say it's doing great for a true-story drama, something to that effect.  You heard it here tenth!  Ben Affleck's the new Warren Beatty.  When are those two going to get together and do their own Spy Game?

Sunday, October 14, 2012

The year of the Gordon-Levitt... or the year of the Goodman?

Another one of these blogger tics I'm trying to cultivate.  Which one person sums up the whole year in terms of movies?  Well, this time I gotta choose between two.
First up: Joseph Gordon-Levitt.  You almost have to feel sorry for a guy like this, who can't spend 2012 resting on his laurels.  In addition to four movies this year, he also hosted Saturday Night Live.  That used to be John Goodman's job, but for some reason Goodman apparently insisted on writing all his own sketches, and the last time he hosted he just ran out of ideas.  But Gordon-Levitt!  What a year.  The Dark Knight Rises, Looper, Lincoln, and Premium Rush... well, the first three, anyway.  He continues as part of Christopher Nolan's rolling stock company, and gets in on Spielberg's racket.  Nowhere to go but down from there!  A good impression of Bruce Willis is a good start.
Or is it John Goodman?  He's been gone for a while, at least from my narrow field of vision, but apparently he's cloned himself as well and is appearing everywhere.  A regular role on Community?  He's also got four movies this year: Trouble with the Curve, ParaNorman, Argo out this week, and BoZem's Flight coming out next month.  Maybe he'll host SNL then to help promote it!  Also, he's lost a bunch of weight.  I don't know if he kept it off, though.  Neither could Jeff Garlin.  Maybe a little obscurity is the key ingredient, guys; just ask Stuart Pankin.  Ouch!  But Goodman's not slowing down in the slightest.  He's got the Monsters Inc. sequel coming up, the latest Coen brothers movie, and The Hangover Part III: The Vomit-ening.  It's a tough call, but after several coin flips, I'm going to have to go with my elders, and say yes.  This is indeed the Year of the Goodman.  But don't kid yourselves; Gordon-Levitt will have a hard time topping his 2012, unless he takes up directing or something.

Saturday, October 13, 2012

Three loan wolves, see how they pawn

Wow.  What a bad, busy week.  Looks like I might not get to call the play-by-play on a few of these from now on.  But let me assure you that I did sit through Three Loan Wolves in its entirety and... and I can't remember what happened!  Oh, wait... yes.  Me myself, being a Coen brothers freak, I couldn't help but think of Barton Fink's dilemma... Orphan?  Dame?  Here, the Stooges decided to go the Orphan route.  They're three small-time pawnbrokers this time, rather than running from the cops from the git go.  Like all orphans, this cute orphan wants to know who's his real daddy.  Reminds me of Jackie Cooper, but he was an awkward teen by that time, if memory serves.  And so, we get the time-honored tradition of a mother leaving her baby at a doorstep.  This time, however, it's not on a lark, or not to strike back at an inattentive husband.  No, this is the real deal here, as close to it as you'd care to get.  Normally, you wouldn't want to leave your baby in the hands of the Stooges, but what can you do.  These days, they're one of the tamer things on the internets.
Meanwhile, as if that wasn't plot enough... and it isn't... the Stooges are beset by greedy mobsters wanting protection money.  Moe takes care of the scout easy enough, but reinforcements arrive by the end of the pic.  Larry gets his big break somewhere in the middle by putting his own unique spin on the Three Bears story.  Also, he has to kill a bad drink with a cigarette.  Shout out to my friend!!!
Good narrative structure to this one, even if it's not a standout like, say, A Plumbing We Will Go or Dutiful but Dumb.  It must've been your proverbial low-hanging fruit when Columbia was cherry picking shorts to put out on DVD.  This was lumped in with other Stooge shorts with three-word names starting with Three.  Not my favourite one, but not totally terrible.

***
-so sayeth The Movie Hooligan

Auteur Watch - Peter Berg

Berg's got balls!  He just lost about half his audience, but someone's got to take a stand.  For him, the campaign's personal now.  Mitt Romney stole his phrase!!  Just to be safe, send Michael Mann an extra-large fruit basket.  Maybe one of those Harry and David year-round dealy-bobbers.

My anger translator Looper

I thought Happy Madison's latest Here Comes the Boom was coming out next week!  Anyway, I hardly liked it the first time... when it was called Warrior.  Phil Meheux filmed it on a cellphone, I'm thinking, just like whoever filmed Zookeeper.  Sandler is apparently not listed in the official credits list; go figure.  And neither is Jack Giarraputo!  Perhaps he's been reborn as Gino Falsetto.  Sounds about right.  Stay away from Ezio Greggio!  That's real Nowheresville.
Of course, with the quick backing down of Won't Back Down, Here Comes the Boom is just the latest Dead Poets Society-esque blow to the profession of professor.  No, action rules the day today at this box office.  Taken 2 is #1 for two weeks in a row, and Argo debuts at #2.  Time to run the ads saying it's the #1 new real-life drama in America.  Plus, it's based in the early 80s!  Star Wars, Pac-Man, Iranian hostages.  It's all the same.  Disco turns to punk, punk gets corrupted by MTV, and Reagan deals unions a mortal wound, if not the final death blow.  Meanwhile, as if I needed any more proof of being out of touch with what the kids are down with, something called Sinister debuts at #3.  Just took a look at the IMDb page... the found-footage horror genre lives on long after the Blair Witch.  And who knows?  Maybe Ethan Hawke will get Uma back after all.
And finally, debuting at #9, it's Seven Psychopaths.  Did I mention that Martin McDonagh is a playwright?  Well, he is!  Did I mention that he directed In Bruges, also with Colin Farrell?  Well, he did!  Let's hope McDonagh doesn't suffer a fate similar to Joel Schumacher, another Farrell co-conspirator.  Oh, almost forgot... COWBELL!!!!!

Saturday, October 06, 2012

The Road from Stoogeville

Oh, this one's going to be good.  I can tell.

ACT ONE

We start with Fred Kelsey yelling on the phone to a Mr. Jordan.  See?  What did I tell you?  He's a busy businessman but the power's out in his office.  We hear loud noises in the other room, where the Stooges are busy creating chaos.  We hear the pipe-dropping sounds from Micro-Phonies, perhaps because Edward Bernds directed both.  As a sign of the times, Kelsey says "The manpower shortage is supposed to be over!!"  There's my argument: down with the New Deal.  Kelsey hangs up the phone and makes the mistake of going into the next room.
I should probably point out that Kelsey's name in this one is "Smiling Sam" McGann.  While we would normally think he was a gangster in any other film, he's probably just a really savvy businessman, one of those F. Scott Fitzgerald larger-than-life figures.  The Stooges haven't relied too heavily on gangsters for their plots yet... have they?  I haven't been paying attention.

Anyway, next scene: the adjacent room, where Curly's in a heap on the floor, but propped up by the ladder he's stuck in.  He tries to explain: "I only went up seven steps [on the ladder]!"  Moe says "The ladder had SIX!"  Lots of mathematical humor in these lately.  Kelsey makes his presence known, and pipes are dropped anew, landing on Curly's head.  It's going to be a long one.
Screenwriters, take note: it's all in the phrasing.  Ask the legal department.  Take, for example, when W.C. Fields is "helping" the nice older lady and her chauffeur when their car's broke down.  The lady says "Give the gentleman what he asks for, James!"  You can guess what happens next.  In the instant case, Kelsey... I mean, Smiling Sam McGann says, "I want juice and I want it RIGHT AWAY!"  Curly hands him the end of a live wire.  Woo-hoo-hoo!  I mean, the sparks fly, so to speak.  Why does Kelsey get a special close up?  That's twice now!  How does he rate?  As in Micro-Phonies, Kelsey says "Pick up that stuff and get to work." ... okay.  Oh, I do and do for you people.  Micro-Phonies, Monkey Businessmen.  Now I gotta find my way back.  Hard to do without bread crumbs these days.  For good measure, Kelsey gets a head-ful of the pipes just like Curly.  It's at times like this when the Stooges have to make amends, and Moe and Larry help Kelsey back to his office.  Come to think of it, this may be the only time they've done that.  Usually they just take off running.
Back to Curly.  No time to heap physical abuse upon him; Moe lays out the plot, and their precarious predicament, by saying "We better get busy before he finds out we were breaker-uppers at the peanut brittle foundry!"  Moe tells Larry to "trace that wire!"  They can do more damage individually.  Moe tells Curly, "Give me a hand."  Needles to say, it doesn't go as he expects.  I must've commented on that line at least a dozen times by now.
Next scene: Moe and Curly at the fuse box, and the first of many time-stretchers.  Moe tells Curly to watch out, because he might get shocked.  Moe then reaches into the fuse box and gets shocked.  But I should probably point out the clever wordplay beforehand.  Moe says "Be careful.  That's intricate stuff!" but he says intricate with special comedic emphasis on the middle syllables, or the trick part.  As Moe gets shocked, Curly smiles.  After getting shocked, Curly laughs and says "That's pretty trick-ate!"  Moe then uses a pair of pliers to tweak Curly's nose.  Curly screams very operatically.  Doesn't work so well in a comedy.  As the pliers rest in Moe's hands, an idea occurs to him: why not use the pliers to grab the wire?  Why not?  Apparently he's still not properly grounded, because it doesn't work.  Curly forgets to use a wooden broom handle to remove Moe and tries a bear hug instead.  Back to Larry for an all-too-brief aside, as he rocks the warehouse looking for that damn wire, but he does get a shout out from Moe.  Must've been in Larry's contract or something.  Back to Curly, who's busy trying to win the first Darwin Awards by putting his tongue on the wire.  Moe says "Hey, look out!  You'll get a shock!"  He seems like he's not acting there.  Curly assures him that everything's all right.  "Look!  No shock!" says Curly.  Moe tries a wire himself and doesn't get shocked.  Can you guess where all this is going?  Moe and Curly shake hands, completing the circuit, and both get shocked simultaneously.  They also complete the Boolean 2x2 grid: neither Moe nor Curly shocked, Moe alone shocked, both Moe and Curly shocked, and... wait a second!  Just as Stan Laurel doesn't usually suffer the physical abuse himself, Curly wasn't separately shocked!  I guess that wouldn't be as funny as Moe.  Finer minds than ours figured all this stuff out long ago, let's face it.
Meanwhile, back to Larry, who's busy trying to find that wire.  I mean, he's found the wire and pulling it with all his might.  What could go wrong?  Next scene: frowning McGann, who just misses catching his lamp from falling off the desk and breaking.  He follows it like a hawk, while his hairdo is in breakdown mode.  Back to Larry who says "Hey fellas!  Gimme a hand!"  This all seems very familiar... Now the line is connected to the phone, and the phone heads for the wall.  Kelsey says, "The line is busy!"  No small actors.  He pulls the phone back, bringing all three of the Stooges' heads to their side of the wall.  Strong guy!  That settles it.  Time to really give it some muscle.  They get organized, and... actually, Moe just says "Why, you..." and gives the wire a good hard tug.  Not much organizing going on there.  On the other side of the wall, Kelsey's stunt double falls backwards in his chair.  Dat's gotta hoit!  I hope the stuntmen have good health care!  Probably not at Cannery Row.  Having triumphed, Moe says "Once more, boys."  They give the wire another tug and bring the phone through the wall.  Moe gets hit by the phone... well, SPOILER ALERT.  Moe gets hit with the phone base, Curly laughs, then Curly gets hit with the receiver.  Good gag.
We hear a voice over the phone.  "Hello?  HELLO?  Who is this?"  Curly tries answering the phone, but to no avail, but we do hear the same tinny phone part over again.  Moe tries, and we get some fresh dialogue.  Mr. Jordan is pretty pissed.  His voice turns into a chipmunk's voice, and all Moe can do is put the receiver on the floor.  Which he does.  Sparks starts to fly up the wire towards the receiver as though the phone is a stick of dynamite.  And with that, Moe says "Well, pardners, looks like we resigned!"

ACT TWO

We're a little early for the Act break, which should be about 5:20 or so with a 16 minute film, but these Stooge films are not cookie cutters after all!  At least, in terms of time.  Curly gives the plot what I like to call that big creaky left turn towards what the screenwriters have in store for us, now that the establishing episode is over.  Curly declares that they need to go someplace for a long rest.  Moe's got just the brochure on the warehouse crate next to him!  "Rest your cares away.  Mallard's Rest Home and Clinic.  High altitude, low prices.  No matter what you got, you'll lose it at Mallard's!"  They're sold, the boys are going to Mallard's.  But what will they use for money?  Curly saves the day, saying he's got something saved for a rainy day: an umbrella.  Moe slaps Curly on the head, and Larry takes a rather mean swipe at the top of Curly's shaved head.  What an a$$#o!e.  As it turns out, the umbrella's where Curly keeps a fatwa... I mean, a fat wad of bills.  Thank goodness he doesn't have to spend any of it on repairs to McGann's office!  They put their ears to the wall.  McGann puts his fists through the wall, getting in one last hit before the plot whisks him away.
Next scene: Mallard's Rest Home & Clinic, where we see Mr. Grimble in a wheelchair.  Mr. Grimble is played by 'Snub' Pollard... are you sure he's not related to Blackie Whiteford?  I don't know who I'm asking; they just seem very similar to me.  But let's leave that aside for now.  The main thing is the introduction of Kenneth MacDonald to the fold.  When the Shemp years get going, you're going to see a lot more of him, that's for sure.  The guy who turns and looks is here as well.  I hate to spoil it like this, but Kenneth tends to play the smarmy bad guy in these Stooge pics, and he's at his smarmy best as the head of the Mallard clinic.  Great bedside manner, ruthless businessman, as it turns out.  SPOILER ALERT.
He at least waits until the patient's out of the room to get back to business: "Yeah, he'll get out of here when we get the rest of his dough, and not before!"  Cold-blooded.  One of MacDonald's goons asks "Hey, is there anything really wrong with his foot?"  MacDonald's answer says a lot about the current state of our health care system, sadly.  As Cy Shindell rightly says, "What a racket!"
And then... we get a nice close-up of ... hoh boy, Nurse Shapely.  Great character name.  Well, she's not that shapely, but she is indeed a vision.  She enters with messed-up hair, and she brushes it aside.  Kind of like Renee Zellweger, but cuter.  And apparently, she was in Gypsy back in the day!  Very few of the Stooge character players got to mingle among the A-listers of their time.  She gets the dubious honor of announcing that there are three knuckleheads waiting to get their screen time back.  Boy, will MacDonald and company be pissed off when they find out they're a bunch of broke bums!  Aside from Curly's roll of bills, of course.
Next scene: the goons exit, and the Stooges enter.  Curly's hat seems a little taller than usual.  Miss Shapely slaps Curly, and Curly gives her the ol' machine gun hat routine, as only he can.  Well, it doesn't work as well with a full head of hair, apparently.  Like an idiot, Larry gets his nose caught in the door as Miss Shapely closes it, and we hear a loud cracking sound, which puts one in the mind of twigs or lumber.  The boys eventually make their way over to MacDonald, who says "Won't you come in?" as warmly as possible.  The first thing out of his mouth is "Of course, you know our treatments are expensive!"  Good Lourdes.  Curly tries to pretend he's in with the Mellons and Carnegie types, but he can't snap his fingers!  Moe does the snapping gesture for him; maybe Curly's on his way after all. 
Of course, as Fox News isn't crazy all the time, MacDonald does a little actual doctoring... sort of.  "Now, let's start with your diet," he says.  "We'll begin by cutting out starches, sugars, proteins and carbohydrates."  Curly asks "What do we eat?"  MacDonald says "Vitamins and calories."  After that, the time gets stretched by an extensively detailed itinerary.  Makes me wonder what this is based upon.  Maybe one of the screenwriters tried out a place like this on a lark.  But even an itinerary can get a joke inserted into it in certain strategic places.  Apparently, the boys get a meal as part of the deal here, and so far all that's on the menu is milk.  Moe himself starts "n'yaahing" at the word.  That's Curly's job, damn it!  Spoiler alert: the joke is dinner; it's not milk, they drank it all for lunch.
The phony doctor describes a lot of different activities: road work, horseback riding, punching the bag, but that would require many different locations and camera setups, so it's probably not in the cards.  So in the tradition of Tapeheads, it's time to stick with production values.  MacDonald tells the boys that he's going to get some nurses for them.  Like clockwork, they start grooming themselves and getting sufficiently immature to prepare for the beautiful ladies inherent in that promise... Curly starts hitting his head against a giant surgical lampshade.  His head makes a loud dinging sound.  Or maybe it's the lamp.  To waste some more time before the big reveal, Larry takes Curly's temperature, and Curly ends up eating the thermometer.
And finally, the big surprise that the rest of us saw coming.  It takes Larry and Curly a while, but apparently Moe figured it out much earlier.  The two nurses are MacDonald's two goons from earlier.  They do the old "Gentlemen!"  "Who came in?" gag and off the Stooges are whisked on their slow death march away from the buxom nurses of their fantasies.  Fade to black.
Fade in on an alarm clock.  Five o'clock!  Way too early for me.  Just kidding, I'm used to it now.  The three are in bed together.  So gay.  Of course, as usually happens, Moe gets woken up first, this time by the breathing of the other two.  They're so tired, they don't even realize the alarm clock's ringing!  Not good.  But they'll have to be ready for an exercise regimen that includes road work.  What is this, the return of the chain gang?  Moe and Larry remove their nighties to reveal they're wearing their work clothes, while Curly drowns the clock in the water pitcher.  Priceless.  For everything else, there's MasterCard... something like that.  Man, I'm glad I haven't seen one of those ads in a long, long while.  They're probably all over YouTube, though.
The dialogue starts with Lawrence saying "Five o'clock.  That's the time you get up to get shot at sunrise."  This leads to the three of them taking a deep breath, and coughing... no, ALL THREE of them!!!  Cy Schindell and the other guy come in and get the boys on track.  Too much laxity.
Next scene: the gym floor, where the Stooges get treated kindly then roughly alternately by MacDonald's schizophrenic goons.  One goon shows Curly how to use the bungee cord-type exercise thing.  Moe and Larry sit there and watch Curly struggle.  Curly gives that one big final effort, and falls backward into the wall.  Moe says "Too much weight."  He means on the machine.  Moe and Larry start removing the weights, and throwing them behind themselves as hard as they can.  The two goons get hit with the flying weights, about four apiece in total, but they're knocked out after the first couple.  The third weight and beyond is just icing on the cake.  Curly tries again, but now there's not enough weight, and he goes flying at about 6 fps, gently falling on a mat in front of him, and bringing the whole exercise apparatus down off the wall.  Suddenly, we hear Cy Schindell speaking.  In his weight-induced stupor, he blurts out the secret plan.  The boys take off running, pivoting when they see a goon in the hall.  Kenneth MacDonald finds George, played by Wade Crosby, sleeping.  I still say it's Matt McHugh.
The two goons come to, and they and MacDonald "search the grounds" for the Stooges.  Meanwhile, George goes back to sleep.  How to get out of this mess?  Curly's got a good idea.  He's got the other two's attention, anyway.  I'll do it like this:

Curly: I got an idea.  We get some grease...
Moe and Larry: Yes?
Curly: We spill it on the floor...
Moe and Larry: Yes?
Curly: And we slip by!!
Moe and Larry: Yes.
Moe: NO!!!

I think it's a great idea.  Didn't they try that on Electric Company once?  ...close enough.  I'm getting sidetracked again.  The boys see their chance when George falls right back to sleep.  They start to tiptoe by him.  Suddenly... he GRUMBLES in his sleep!  The Stooges stand against the wall next to George.  But then... just as suddenly, Curly has to sneeze.  Moe tries to hold the sneeze in by hitting Curly in the nose, then on the head.  It works for a few seconds, but then Curly lets fly very loudly, knocking a vase off its place high above Curly's head, and breaking on Curly's head.  George wakes up.  Go figure.
And then, the satire begins.  George confuses the Stooges for doctors.  Moe and Larry say that Curly's sick.  Here's where they make their necessary mistake, by saying "We'll have to operate!"  Enter the triumphant return of Mr. ... oh, who cares.  Grimble, I think it was?  Newly minted doctors Moe and Larry diagnose him, telling Grimble he looks terrible.  Then, economic incentive.  The Stooges are suckers for that.  Grimble says "I'll pay £1,000... $1,000 to whomever cures me!"  Moe and Larry quickly change course.  But George gets them back on track: "Wait a minute!  You gotta operate on him!" (Curly)  And they begrudgingly return to Curly, putting himself in mortal danger for the sake of dramatic tension.  Moe says "You had to be sick, didn't ya?" as they go into the surgery room.  Mallard's has everything!
Next scene: the operatin' room proper, where Moe seems to improvise a line at about 2:44.  George asks Curly "Hey, can I stick around while they cut you open?"  Is he selling this premise hard enough?  I kinda don't think so.  At this point, Moe tries to stall with some fancy double talkin', asking for those surgical implements with the funny names.  It doesn't work on George, though.  He starts grabbing things.  This guy could be the fourth Stooge: he's as crazy as the regular three!  George goes to get a second tool, giving the boys time to think.  Larry finds a bottle of ether, and soaks a rag in it.  Perfect!  George comes back and gets a whiff of the rag.  It doesn't do the trick.  George waves the rag in front of Moe and Larry's probosces, and they start yawning.  During all this chaos, Curly managed to grab himself a good ol' fashioned comedy mallet.  Curly conks George on the head, and flicks his nose for good measure.  DOWN GOES GEORGE!!  Curly gets in a good pun: "I gave him either the bottle or the hammer!"  Moe raises the bottle up to smack Curly, when the plot intervenes.  Footprints are heard.  The boys have to think of a plan.  Meanwhile, we go outside to see MacDonald and his two thugs.  MacDonald calls to Miss Shapely... Miss Shapely.  The very idea.  MacDonald asks her what happened to George, and she says that he's in the lab with the three new doctors.  After a double take, the three bad guy Stooges go into the lab.

ACT THREE

We're about due for an act break anyway, so let's have it here.  Next scene: MacDonald and his two goons enter the lab.  The lab looks a lot different now.  Moe and Larry found themselves some surgical clothing, and there's a body on their makeshift operatin' table covered up.  Is it Curly?  Is it George?  Damn.  I'm ruining the illusion.  They ruin it soon enough anyway.  MacDonald for now doesn't seem to be aware that he's hired three new doctors.  He tells his goons to search the grounds for the Stooges, and off they go.  Curly reacts from under his sheet, and keeps having to get bonked back down.  MacDonald doesn't notice.  Larry notices that George is coming to.  George is behind the desk, so Larry gives George a fresh bonk on the head with the mallet.
They milk the threat of surgery for all it's worth.  MacDonald eventually figures out what's going on, apparently after looking at Curly's shoes.  A big chase ensues after the gurney that Curly's on drops, and Curly slides to the ground.  "I'll doctor you!" says MacDonald.  Larry gets him in the face with a fire extinguisher that shoots water and not foam, and Moe cracks him over the head with a pitcher... or something made of glass.  DOWN GOES MACDONALD!  A good thing, too, because MacDonald went for the axe!
They run out of the room.  Next scene: the hallway, where the action is at about 18fps or so, just fast enough to make everyone's voices a little higher-pitched.  The Stooges run around Snub Pollard, spinning him around in his wheelchair, after which Snub totally falls out of it.
Next scene: the three run into a room, and Curly's the only one to notice that they're not alone... oh, right, THIS film!  Time to hit them in the head again, but with black bowling pin-looking things.  Another clean getaway.  Time for some more running.  Curly falls over Snub Pollard, and Snub's got lines this time.  He's still complaining about his foot, at least until Curly hits it with his fist a couple times.  The pain's gone!  Snub's unable to contain neither his excitement nor his Aussie accent.  Meanwhile, back to Moe and Larry, who quickly find themselves in hot water without Curly.  The camera dramatically dollies back to reveal the bad guys.  Good work!  Moe says "I'm gonna get myself a cheap lawyer.  I'm a citizen!..." 
And so, the Steam Room that was mentioned earlier finally comes to pass, as Moe and Lawrence find themselves locked inside it.  Will Curly save them in time?  I give 'em 50-50 odds at this point.  Curly walks past the door and waves at the two of them.  Make that 40-60.  Curly asks "What are you all steamed up about?" 30-70.  Curly sings a song contemporary to his time... wonder if Wikipedia knows about it.  Anyway, Curly starts turning the valve, but the arrow starts drifting from "Normal" to "Danger."  This is back when things used to be labeled, and not made in China.  Curly gets distracted by Miss Shapely again, and abandons his two lifelong pals.  Curly and Shapely go through a door this time, and well off-camera.  Lol.  We hear a scream, and Curly gets socked by Shapely again.  Maybe if he tries again about twenty more times, she'll give in.  For now, a Curly stunt double flies through the door.  And then, there's a surprise at about 7:59.  I dare not spoil it further.

EPILOGUE

Curly starts walking back to save his fellow Stooges, but the door blows off the steam room.  Fate has intervened.  After a few edits, we get the final shot of the movie.  Snub Pollard runs in from the hallway, hands Curly a big stack of money, then kicks him in the shin.  After the pain, the joy of a payday.  Larry says "Wow!  A thousand bucks!  Practically a mil!"  Shyeah, right.  As in O Brother, Where Art Thou?, the threesome discuss what to do with the money.  Curly's idea invites the most passion, but personally I think Groucho did it better in Monkey Business, when he pretends to be a doctor, saying "This man needs a long ocean voyage."  It's part of the larger context.  He also says "Can everyone gather around so he won't recover?"  Everyone does, of course. 
I guess this Stooge short's kinda mediocre, but worth it for the moment at 7:59.  That's about all you can hope for these days.

***
-so sayeth The Movie Hooligan

Auteur Watch - Robert Zemeckis

BoZem returns to real life with his latest, Flight, and he's going up against his old boss Spielberg, whose Lincoln opens the same weekend.  Who will win?  Does Adam Sandler have a movie opening that weekend?  For some reason the commercial caught my eye.  For one, it seems to be a slight departure for Denzel, if you put his career on a spectrum with Training Day on one end and The Preacher's Wife on the other.  Flight seems to be in the middle somewhere.  Too bad there's still no decent roles out there.  The other thing is that this is the first R rated pic from Zemeckis since 1980's Used Cars.  Of course, R-rated pics aren't what they used to be, not that Used Cars would get a PG-13 in its original form today.  Beowulf was skewing a bit R-ish.  Someone send me a free copy of it!! WAAAA

Besson-me Mucho

Oh, right.  Forgot to do this one.  The pod people that replaced Luc Besson and Robert Mark Kamen long ago crank out yet another #1 American movie from the comfort of their French mansions next door to that damn ketchup heiress that married John Kerry, with Elaine's family on the other side.  Yes, it's Taken 2, and I dare say they're trying to get me to care about Albanian politics!  Well, personally, I've had all the James Belushi I can stand, thank you very much.  The only other debuts this week is the poorly performing Frankenweenie feature length version.  Maybe if Johnny Depp were in it, it would've done a little better.  Will this slow down Tim Burton at all?  Hell no.  Finally, there's something called The Perks of being a Wallflower.  In this internet age, it's a quaint notion, but the key thing is that it's one of those small projects that a Harry Potter star tries to engage in, yet they still yearn to see themselves a little bit higher up in the top 10 for some reason.  Go figure.

Monday, October 01, 2012

Portraits in Sibling Rivalry: "Jeff, who Lives at Home" is an indie film, in case you didn't get it

Ed Helms and Jason Segel, sitting in a tub in a hotel room, legs dangling over the edge.  If that isn't an indie film moment, nothing is.  How did we get to this point?  How?
This is probably a stupid question, but I'll ask it anyway.  If a) you're two brothers in today's world, and b) you aspire to make movies, what's stopping you?  How low is the bar?  When a star says that they loved the script, do we need to hold their feet to the fire?  Jason Segel's about as busy these days as Seth Rogen was a few years ago.  Another star from the Judd Apatow Stock Company, he's just ruined the Muppets (according to some) and he's apparently a regular on CBS's hit show How I Met Your Mother.  He made four movies in 2011, one of which is Jeff, Who Lives at Home.  It's different enough, and for me it walked that fine line between comedy and drama well enough, but I don't know.  If my tone up til now hasn't been clear, the movie seems to die the death of a thousand cuts.  Let's begin.
As with Albert Brooks' 1996 movie, Mother, we have the portrait of two brothers: one who's a conventional American success story: job, wife, what have you, and we have the less successful brother who's living in his mom's basement.  We get xylophone-heavy music similar to American Beauty and Paying it Forward.  Then we see the brother in the basement taking some bong hits.  The first movie I remember this happening in proper is Jackie Brown.  It's of course a lot more common now; why, I believe Albert Brooks had it in his last directorial effort Looking for Comedy in the Muslim World!  Jeff's day and worldview are put on tilt when he receives a call from an angry black man who sounds vaguely like J.B. Smoove.  The angry black man asks for "Kevin."  Was I the only one reminded of Arsenio Hall at the beginning of Amazon Women on the Moon who kept getting calls from someone asking for Thelma?  I thought so.  If only the whole movie was that good.  Amazon Women, that is.  Back to the instant case.
Now we turn to Ed Helms and his wife Linda, played by Judy Greer.  Between this and Henry's Crime, she's in mortal danger of being typecast as the indie movie wife who gets left for more attractive fare.  Otherwise, she's the new Anne Heche, perhaps.  You can tell a marriage is in trouble when a gesture is openly called "water for a (dying) plant."  In this case, Helms makes breakfast for the two of them.  Strawberries are called "strawbs."  The monosyllabization of everything continues unabated.  I'm sorry, I mean "shortz."  Then, the big fight breaks out: Ed Helms wants a Porsche.  Linda makes a perfectly reasoned argument about how money's tight, how she's cut back on her expenses, and how it's a bad idea in general.  Ed jangles the keys, and takes her outside to show off the Porsche.  She throws her breakfast onto the Porsche, and hoses it down with ketchup.  That went well!
Even though the two brothers are estranged, their paths cross.  Jeff is tasked with taking the bus to Home Depot to buy wood glue and fixing the blinds in the house, but his obsession quickly turns to all things named "Kevin" instead.  The wood glue might have to wait.  Meanwhile, Pat... I'll call him by his character name now, I promise... Pat is having a business lunch at Hooters with a skeptical co-worker.  Pat takes a "business call" but we all quickly figure out that it's mom (Susan Sarandon).  Pat sees Jeff wandering around outside the Hooters and intervenes.  The co-worker is abandoned, and Pat takes Jeff for a ride in the new Porsche.  Unfortunately, the ride ends up much like an episode that once happened to Homer Simpson.  It's up on YouTube, in fact!  Here's the link... if the copyright lawyers have their way, it might not be for long.
As you may have gathered, the film's not as elitist as a Noah Baumbach project, but there does seem to be a running theme about white people getting to know black people.  The mom has a similar episode at her generic office workplace.  Her subplot: a secret admirer starts communicating with her at work via Yahoo! Instant Messenger.  Who could it be?  I figured it out right away, but I dare not spoil it for the rest of you.  Depending on how jaded you are, the way Sarandon's dreams of standing under a waterfall come to fruition will either be the most tender thing in the world, or just another artifact of indie film.
Then, the film turns into a private eye caper, as the brothers try to spy on Pat's wife Linda as she seemingly tries to have an affair.  They end up seeing the car in a hotel parking lot.  Was I the only one who thought of Alan Arkin's wife in Freebie and the Bean?  I thought so.  It's all played for laughs at first, but when we find out that it's not like a J.J. Abrams show, that it's really what it looks like, then things get dramatic.  That's how things seem to go throughout this movie.
The movie opens with a deep philosophical quote from Jeff.  I couldn't help but think of the quote at the beginning of A Serious Man: "Receive with simplicity everything that happens to you." - Rashi.  ...I think that's what it was.  We ultimately didn't finish the movie, but that's probably the best ending of all.  Oh, and the use of zoom lens got really really annoying.  Kubrick liked zoom lenses too, but didn't use them in every freaking scene.  Besides, Tony Scott's Unstoppable was like that!  It's not original!  Okay, I better stop.

**1/2
-so sayeth The Movie Hooligan

Sunday, September 30, 2012

Short Reviews - September 2012

Oh, the Variety Top 100's too depressing.  Meanwhile, in Facebook world, no one can bear to tell Lark Voorhies that she's "like"-ing too many things.  Eyewash stations, for God's sake!!



The Master - There will be ego

Robocop 3 - Why have Robocop at all?  It takes, what, about 20 minutes before he appears?

Best of the Best 3 - Besides the white supremacist group, what exactly makes this an entry in the Best of the Best series?

Hotel Transylvania 3D - You can't fool the people all the time, Sandler!  But at least the animation looks better than Eight Crazy Nights.

Hope Springs

Hope Floats

Chrystal - We didn't make it past that first sex scene.  Biblical relations is apparently a group sport in that part of the world...

Branded - iPhone Bar Code: The Motion Picture

Dizzy Heights and Daring Hearts - Good green screen effects for the period

They're Out of the Business - Stupid filmmakers.  They take a perfectly good porno and surround it with ninety plus minutes of yap yap yap!  What were they thinking?

To the Arctic 3D - To the video shelf!

Born to be Wild 3D - Boy!  Warner Bros. is biting the big one on lots of these!

Here Comes the Boom - Say goodbye to flesh and blood

No other place around the place, I reckon.......

Our next Stooge film is The Three Troubledoers.  Here's hoping my homework load doesn't conspire against me this week as well!!

ACT ONE

...come to think of it, isn't this really what any and every Stooge film could be called?  They've had a couple of titles like that; the one that most immediately comes to mind is Idiots Deluxe, but that one of course implies that they're making an extra effort in that one.  In The Three Troubledoers, we start with the three troubledoers in question, the Stooges, walking down a path that's probably been worn down by the footsteps of many a TV Western cast that came before... okay, maybe not.  I must be thinking of the '50s.  Then you'll really start to see some Western action in places like this! 
Moe gets the action going by saying "Well, we're pulling into town, pardners.  We better spruce up!"  They start brushing themselves off, and we find that they're positively covered in dust.  Lol.  Curly lets out a particularly meaty fake sneeze at about 0:42.  The screenwriters must've planned for this, because Moe tells him to "eat his dust like a man."  Moe wonders aloud what town they're approaching.  As we find out, they're able to read this time, and we see a sign that says "Dead Man's Gulch."  The sign's lorded over by a toothless old man whose job is to update the population number on the sign.  As you may have guessed, the number drops regularly in this lawless Western town.  The boys seem hesitant to proceed, and rightly so.  Moe summons up the group courage that they lack individually.  "Are we mice or men?" asks Moe.  Larry and Curly say "MICE!" in unison.  "Don't get personal," says Moe.  They proceed.
Next scene: we abruptly leave the Stooges for now, as it's time to lay grander plot foundations.  The sheriff of Dead Man's Gulch just got shot.  That's the fifth sheriff in six months.  Can you even doubt that the Stooges have a future in law enforcement?  They, who spent most of the years of the Great Depression running from authority?  Is it no longer ironic?
After some quick exposition about the sheriff and the gang of baddies what done him in, it's back to the Stooges, who are now busy dropping their mule off at the blacksmith.  Enter a crying Christine McIntyre.  I probably shouldn't confess this, but I'm just a sucker for curls.  The Stooges quickly run to her side to console her.  She's not the femme fatale this time.  No, she's the blacksmith's daughter... or maybe she's the blacksmith.  In any case, her father's disappeared, most likely "dry gulched" by Badlands Blackie.  Don't look it up on urbandictionary.com, that's all I'm saying.  We get more description of Badlands Blackie... is it Dick Curtis?  Most likely.  Curly lifts everyone's spirits, declaring that Badlands Blackie's nothing compared to Coney Island Curly, laughing at about 1:49 or so. 
Next scene: Badlands Blackie enters the shop, and in the grand tradition of Manliness, he completely ignores the Stooges and walks right up to McIntyre, offering his rather indecent marriage proposal.  Even ignoring Curly's verbal pleasantries!  Wow.  I know I say this a lot, but this has got to be Dick Curtis' grandest performance yet.  If this were a feature length Western, he'd be hailed as one of the great Western villains... or at least, one of the goofiest.  Disney oughta sue!  The Stooges man up, and poke Blackie in the chest.  Larry asks "What's the idea of picking on a girl?"  We'll leave that alone for now.  Blackie quickly processes Moe and Larry with a horseshoe, and now it's up to Curly.  Nell winces in embarrassment.  Curly goes for his gun, but gets the whole gunbelt instead.  Blackie manages to grab the gunbelt from Curly's hands and throws it away.  It lands near the fire; ooh!  Good screenwriting!  Think also of an opening episode in The Man who would be King.  Blackie pushes Curly down (really?  Not a stuntman?), and Curly lands ass first on a horseshoe with nails in it.  We don't get a good view of it as we do of Ollie's foot in The Music Box, but there will be agony nonetheless.  A shame, too, because it's stuck near the tramp stamp area as opposed to more humorously in the cheek area proper.
Blackie looks on in contempt, and we get another glimpse of the gunbelt near the flames.  Blackie's tone changes from laid back to angry at about 3:07, insisting that Nell accept his indecent marriage proposal.  But, to stretch out the length of the film, Blackie says he'll leave and when he returns, her answer a'better be yes.  The troubledoers... I mean, the Stooges hiss in response.  This is what they're reduced to.  Kinda sad.  Blackie, however, doesn't like loud noises, and doesn't react well to the Stooges' hissing... but it's an interesting reaction nonetheless, at about 3:18.  Maybe Blackie's a heavy drinker.
Blackie goes over to heap more physical abuse upon the Stooges that they would otherwise be heaping upon themselves.  Suddenly... BOOM!  The fire lights up the bullets in Curly's belt and they start flying.  Blackie starts shooting in response.  This is all very distressing for Nell.  Moe and Larry take cover.  Blackie runs out of the blacksmith shop and falls into the horse trough.  See what I mean?  Eccentric.  Blackie runs off to find some dry clothes.
And probably escape the hailing bullets.  And now, budding young screenwriters of all ages... it's time for the Hail the Conquering Hero-esque farcical elements to rear their ugly, obvious heads.  Rosencrantz and Guildenstern here, whom we met earlier consorting with the town elder, see Blackie running off, hear the gunfire, put two and two together and have found their new sheriff, a man brave enough to send Badlands Blackie packing.  But who could it be?  Time to barge right into the crime scene and find out.  Meanwhile, like a durned fool, Curly's holding the smoking gun and n'yuk ny'uking quietly to himself.  The two serious men quickly make Curly the new sheriff.  A blow to law enforcement agencies everywhere... but is this the first one?  I think it might be.  This is what I get for not converting the Stooge plot elements into XML code.
I can't figure out who the guy with the big-ass moustache is, but he seems like the real deal.  What on earth he's doing in a Stooge film, I'll never know.  Moe and Larry are made deputies; they just don't know it yet.  One of the guys gets in a good joke, depending on your point of view: when Curly says "$100/month?  Oh boy!  I'll be able to get married!" the non-mustachio'd fella says "See?  I told you he was a brave man!"  Subtle.  I know, I know, I'm just a sexist pig.  Reminds me!  I haven't even had breakfast yet!
Curly's honeymoon period with his new job begins in proper at about 4:18, making machine gun-ish noises with his pistol.  Curly quickly proposes to Nell.  The somber Nell will marry Curly on one condition: he brings Blackie to justice and gets her father back.  It's love at first sight.  Curly gobbles like a turkey YET AGAIN in McIntyre's presence at about 4:32.  Well, she's worth it, what can be said?
Curly plays the alpha-Stooge and calls Moe and Larry over.  They come out of hiding and quickly accept their new deputy badges.  The grim Nell points out that law enforcement officials don't last long in the town of Dead Man's Gulch.  This slowly sinks in, and Larry expresses extreme concern at about 4:59, which is surely his highlight in this picture.  Moe and Larry, ever the practical ones, decide to split, but Curly stands his ground in the name of love.  Moe wins the argument with a slap and a blow to Curly's tummy, and Curly gets pulled along, leaving Nell alone as the scene fades out.  Why, she looks like an angel as the darkness consumes the frame!

ACT TWO

Next scene: as often happens, time for training.  Brando did it in One-Eyed Jacks, Robocop did it in Robocop (1987), and now Curly's doing it here.  First up: shooting practice.  Curly, a bit overdressed for the occasion, thinks he needs his glasses.  As you can currently tell from the message board, this complication leads to some laughs.  Then, they each take their positions.  Moe's got two balloons, Larry's holding up a cracker, and Curly's holding up the gun.  Curly's got his glasses and aims for the cracker.  He shoots.  One of Moe's balloons deflates.  Not bad!  Curly must've just grazed the balloon, because it slowly and humorously loses its air.  Either that, or Moe let the air out himself.  Sorry, SPOILER ALERT.  Curly n'yuk n'yuks at about 5:57.  I'll be damned if he doesn't remind me of John Lennon.  No one says a word, but Moe's reaction to the balloon says it all.  Silence is the order of the day as Curly aims for his second shot, in the general direction toward Moe's other balloon.  As you might have guessed, the cracker positively explodes in Lawrence's immobilized fingers.  He didn't squeeze the cracker; they actually sprung for some explosives!  They couldn't afford to pop a hole out of the cracker, I suppose.  Curly laughs at his second triumph, then n'yuk n'yuks again at exactly 6:09.
Time for practice of a different kind.  As the room grows larger, we see that there's a giant Blackie-sized mannequin in the room.  The Stooges go over to it.  The mannequin turns out to have ropes attached to its arms and legs.  Moe and Larry are on puppet detail, while Curly pretends it's the real Blackie.  Think Principal Skinner going to town on that dummy that was supposed to be his mother.  Or Curly going to town on the cop mannequin in A Plumbing we Will Go.  Oops!  SPOILER ALERT.  Sheriff Curly eventually reigns triumphant over the Blackie dummy, but Moe realizes that, to win this fight, they need something more: a long-range weapon.  They leave Curly alone, as they so often do.  We see Larry pouring powder into a pipe that Moe's holding.  Hmm!  Looks like they're making a ... nope, better not use the phrase.  That's how I lost my last job.
Meanwhile, yup... you guessed it.  In walks Blackie on the training session.  Inner sanctum invaded!  The nerve!!!  And he's brought one of his goons with him!  He gestures to the goon to step over to the side.  And then, Blackie puts on his mask and stands right behind Curly.  Blackie may seem awful stupid, but he picks things up fast!  And then, Curly goes to work on Blackie pretending to be the dummy.  Confused yet?  Curly pulls out one of Blackie's beard hairs, pulls off his mask, and starts turkey gobbling in fear, backing up to a big stack of hay bales.  Blackie, all-too accepting of the premise that Curly's now the sheriff, makes the mistake of telling Sheriff Curly that he's going to count to ten before shooting.  This gives ample time for Larry to save Curly's bacon, even though they keep kosher.  But before that happens, they test out Moe's super weapon.  It doesn't go so well... sorry, here's the right spot.
Next scene: the Blacksmith shop.  Man, they must've been short on free locations that week.  Blackie's made a quick recovery from his head injury, and is back to pester poor ol' Nell some more.  Nell relents, saying she'll marry Blackie tomorrow.  Blackie says "Nope, it's gotta be today.  There's too many things going on 'round here that aren't to my liking," clutching the tender spot on his skull in agony to prove the point.  Lol.  A meta-laugh.  And off the half-happy couple go.  Blackie laughs a bit like Tex Avery at about 8:10 or so.
Blackie and Nell head immediately over to the offices of the Justice of the Peace.  I didn't know they had office space for them back then!  To stretch this pic's time out to sixteen minutes, the Justice isn't in the office right now, so Blackie sends the kid what told him that to go fetch him.  The Stooges are outside, viewing all these plot develpoments in secret, but put two and two together right quick somehow.  As usual, time for good ol' reliable Victor Travers to fill the part of Justice of the Peace, just like he did in Oily to Bed, Oily to Rise.  The Stooges subdue Travers, relieve him of his wig, and Curly dons the wig and takes the judge's place.  Clever, clever!  A Trojan Stooge!
Meanwhile, another of Blackie's stooges shows up: a fella named ... Quirt?  Sounds like a bubble in a bathtub.  He's played by actor Blackie Whiteford.  I get the strange feeling that that's not his real name, but no one's bothered to find out what it is.  Maybe Ephraim Katz has done the research.  I remember Whiteford best as that pushy sheriff that tries that cactus remedy in that one episode a few episodes back.  Anyway, Curly enters at about 0:37, doing an impeccable impression of Victor Travers.  Curly thinks he has to show Nell that it's actually him and not a real Justice of the Peace, and he does at 0:47.  She shrieks in response, and frankly I don't blame her one bit.  Hopefully, she's reconsidering her vow to Curly.  Curly tries to stall, but goes through the motions nonetheless.  He says "The book... oh, yes the book" at about 0:56.  Great delivery.  Curly asks for the ring.  Curly is so impressed with it, that he puts it on his own pinky.  Blackie doesn't like this, but still doesn't suspect the veracity of the "Justice."  He grabs for the ring much like he did with Curly's gun earlier: a little drunkenly.  As the tug of war goes on for the ring on Curly's finger, Curly's wig comes loose from its shabby moorings.  One of Blackie's goons figures it out and tries to show Blackie that the Justice is a wolf in shabby clothing.  Curly still tries to pitch woo with Nell as the dude dangles the wig over Curly's head.  What a sight.  Blackie figures it out and lets out a Mitt Romney-esque laugh.  And then, at about 1:34... Don Knotts is born.  I mean, Blackie totally loses it.  Curly manages to escape, knocking down Blackie's goons in the process.  "Get 'im, boys!  Get 'im!," Blackie says over and over again, thinking the director already yelled cut. 
Next scene: the barn, where Curly's running at his new top speed.  Bad time for a pivot foot, but pivot he does ne'theless at about 1:43.  Oh, there's more action to come in the third Act, folks, believe me.  Curly again has to hide in loose hay.
Back to Blackie and Nell.  Blackie decides that they need to go to his hideout at Skullbone Pass to get married, away from all this needless excitement.  Nell's either very passive aggressive or a really good negotiator, or Blackie's just an ol' softie when it comes to dames, because he agrees with Nell's demands.  She'll meet him there at sundown.  After all, Blackie's got all the cards, and Nell's dad as a captive prisoner at that.  Blackie exits.  Meanwhile, Blackie's goons enter the barn, looking for Curly.  We get a shot of Curly's head at about 2:23.  The one goon starts sifting through the hay with a pitchfork.  Finding nothing, he quickly gives up and throws the pitchfork away.  It of course lands in the comical part of Curly's ass.  Curly can't help but make a noise.  The bad guys think it was a dog, so Curly doubles down, yapping like a dog some more.  Teachable moment here, kids: sometimes less is more.  The goons aren't a bit daft like their fearless leader, and quickly locate the yapping Curly, despite his protestations at about 2:46.  To stretch things out some more, the goons stick to the premise that Blackie wants to shoot Curly himself, so the two just tie him up instead.  In keeping with the dog theme, the goons cruelly put a giant human-sized dog collar on Curly.  Curly makes a noise I never heard him make before at about 3:02.  I'm disgusted and attracted simultaneously.  I can't explain, or believe, it.  But I better proceed with the rest of this review all the same.  The bad guys leave, and one of them says "We'll see you later, Rover!"  Curly starts barking in earnest now.  Now he's pissed, and frankly you should be too.

ACT THREE

Where were they when he needed them?  Moe and Larry enter from Stage Left.  They end up moving Stage Right after coming round the hay bales when they come.  Hoh boy... time for another time stretcher.  For you and me, getting a giant human neck-sized dog collar off somebody is probably a simple affair, but the Stooges are working on a shoestring of a budget and have to make it complicated.  First up: chisel and hammer.  Moe starts banging away at the collar, unsuccessfully of course.  First he hits Larry's hand, then he hits Curly in the head.  Curly just as instantly says "I don't think that'll woik!"  Lol.  Second up: the crowbar.  Oh no... he's not going to do like Cactus Makes Perfect, is he?  Yes, he is!  Let Curly's agony continue unabated!  ...sadly, it doesn't last as long.  Curly spies a box of dynamite and finds that to be a better option at this point.  Moe gladly abides.  So now Curly's got a lit stick of dynamite next to his head.  That's my Christmas card this year, that's all there is to it.  Just gotta think of a suitable caption now; two of them: one for my liberal friends, one for my Tea Party friends.
Fortunately for the Moral Fabric of the Universe, which I think is what they were trying to recreate in 2008's Wanted, the casual use of dynamite doesn't go condoned here.  The fuse goes out (it never does that in cartoons, does it?) and Curly throws it out the window, where it loudly explodes.  The whole barn shakes, and the Stooges try in vain to regain their balance.  How to get Curly's collar off?  Larry picks up a saw and says "Hey!  Why don'tcha SAW it off?"  Great delivery.  Curly takes the collar off so they can start sawing it... Roger Rabbit, anyone?  No time for physical abuse, though.  They've stretched time too much already, and now they've got to catch up to the plot.  But first, Moe grabs his "secret weapon," which is either the world's worst bazooka or a really lame pipe bomb.  Or maybe it's a crude version of that pipe bomb they had at the beginning of Saving Private Ryan.  There's probably a technical term for what that was.  Moe quickly lays down the exposition of the rest of the film at 4:30, and they're off to save Pournelle... I mean, poor Nell.  As with the subduing of the Justice of the Peace, we get another quick edit when the boys run into the barn with saddles, we hear the neighing and winnying of horses, and after the edit we see the Stooges on a three-seat tandem, pedaling away to Skullbone Pass.  See?  I TOLD you there'd be more action to come!
Next scene: Skullbone Pass.  You can tell from the sign.  Blackie finds the Skullbone Pass Justice of the Peace.  He works part time now, but he'll suffice.  Ride the High Country strangely comes to mind.  Blackie says "She's got 'til sundown!" then looks outside at the sun.  It's a cartoon sun, and it dips below the horizon, then back up.  Don Knotts is born again at 5:10.
Cross-wipe to next scene: the adrenaline gets flowing in earnest now as we see the Stooges pedaling away across terrain soon to be overused in a thousand TV Westerns.  Back to Blackie, who fires a shot to make an announcement.  Drinks on the house!  How he plans to pay for that, I don't know.  The small assembled group of cowboys and prostitutes rushes the bar to partake.  Enter sweet, innocent Nell.  Blackie positively beams with pride in saying "Here she is!  The future Mrs. Blackie!  Ain't she purdy?"  Back to the Stooges for a short burst, riding around a corner about to be rounded in countless future TV Westerns.  Back to the bittersweet reunion of Nell and Blackie, where Blackie has to fend off the perceived advances of the filthy rotund bartender.  Blackie sends him for the wedding cake.  Oh boy!  You know what always happens to cakes in a Stooge film!  Tis rare to have a wedding cake in a Western, Stooge or otherwise.  Blackie's goons try to warn him, but Blackie's still got matrimony with a capital M on his mind.  Back to the Stooges on their bike.  They're well overdue to fall off it... whew!  Thank goodness.  The Stooges see the cartoon sun going down, making a slide whistle sound.  Then, there's a brief awkward silence when the sun stops; God bless 'em for that.  The Stooges continue riding.
Back to the saloon wedding, where Blackie threatens the Justice of the Peace for taking too long.  Back to the Stooges riding, riding, RIDING!!!  Then, Moe runs afoul of a low-hanging tree branch at 6:26.  They had to dub in his lines later.  Back to the wedding, where the preacher asks for the ring.  Blackie doesn't have it, so he helps himself to the ring of one of the bridesmaids.  The preacher starts to take the ring for himself.  What is the deal?  Did that happen a lot way back when or something?  Blackie gets mad.  Next scene: the Stooges finally arrive in busy downtown Skullbone Pass, park their bike, and prepare for some big time ass-whooping.  Nell gets cold feet at the moment of truth, so Blackie orders his goons to fetch her pappy.  Glass breaks, and Curly yells "Stop in the name of the law!"  Something strangely comforting about that, even coming from Curly.  Bullets begin to hail.  The Stooges seem very, very outgunned.  They ready their secret weapon.  Moe says "Give 'em the woiks!"  The weapon gloriously malfunctions at about 6:59, and Moe gets hit by a spring.  Reminds me of a sound effect in Loose Loot... no time to link to it, unless by popular demand.  And then... BOOM!  At 7:05, down goes Wedding Cake.
Next scene: the powder shack, where so many cartoons have their big finale.  Knighty Knight Bugs, the one where Sylvester makes a remote control plane with machine gun, what have you.  The Stooges run behind it, and Blackie and his goons follow.  For some reason, Blackie, his goons, and the bartender quickly go inside and politely shut the door behind them.  I guess they're just idiots.  The Stooges appear around the side of it; I can't tell if there was an edit or not on the tiny YouTube screen.  There probably was.  The Stooges then run to take position and start loading the secret weapon... wasn't it loaded before?  Did all the contents fall out when Moe held it upside down?  No time for such rational questions, we gotta wrap this puppy up.  Larry puts a ... you know, when seven sticks of dynamite are all taped together.  Like they have in the cartoons.  A septet?  The sticks are lit and loaded into the secret weapon.  The bad guys emerge from the powder shack, and start shooting.  The Stooges haven't prepared for that, and Moe in desperation just throws the secret weapon as hard as he can.  When it hits the ground, it fires, seemingly away from the powder shack, but nevertheless, in the next scene we see the bad guys running back into the powder shack, followed by a slow-speed fireball.  Up in smoke goes the whole powder shack.

EPILOGUE

Nell goes to examine the wreckage.  To save time, Nell's father is in the powder shack rubble.  Nell tells father that Curly's the man she promised to marry.  As with Our Wife, the father doesn't like the idea.  It probably didn't help when Curly said "Hello poppy ol' pappy ol' kid!"  In fact, the father says "Why, I'd rather be dead!"  Curly helps out by lighting a stick of dynamite and giving it to Nell's father.  You'd think that the father would change his mind, seeing that Curly's at least trying to be helpful, but no.  The father takes a few steps, and hangs on to the stick.  Finally!  Some classy drama in these proceedings.  The ending's a little weak, but I'm still a sucker for these Stooge flicks strongly rooted in recognizable drama archetypes, such as the Western.

***1/2
-so sayeth The Movie Hooligan

Auteur Watch - John Jeffcoat

Why not?  I just watched his 2006 Outsourced, and now it's a TV show.  This kid's going places!  Hopefully, not to India to direct!!!

Genndy Tossed-Off-sky

In retrospect, I should've gone with "Barnz Burner" but we'll get to that soon enough.  Yes, after his last couple projects... I never thought I'd say this, but Adam Sandler needed a hit!  There was his producing of a movie whose name I dare not even speak (but I will provide the link to), there was I Hate You, Dad... I mean, That's My Boy which sank like a stone..  of course, I overestimate the precariousness of his situation.  Columbia owns Sandler lock, stock and barrel and they're still quite happy over the long term, but the short term's been a little bit of a headache lately.  Which is why the Number One-ing of Hotel Transylvania is all the sweeter, and it just shows to go you that the American moviegoing population will still buy the same old Sandler cast in their new Pixar outfits.  They're all here: Buscemi, Jacqueline Titone, David Spade, Jon Lovitz, Kevin James... all the O'Doyles and horny old grandmothers you can handle in a Pixar-like PG setting.
The other debuts this week include Looper, the hot new time travel sci-fi adventure that's got the critics buzzing, there's David Eng's 2005 movie Perfect Pitch... I mean, Susana Matos' 2012 short film Perfect Pitch... I mean, Nick Hornby's novel Fever Pitch... I mean, Daniel John Harris' 2011 short film Pitcher Perfect... okay, I think I finally got the right one.  The 2002 documentary about the gauntlet that TV shows have to run, The Perfect Pitch.  I mean, if Judd Apatow can't call some of the shots at this point, what hope is there for the rest of us?  Am I right?   Oh, and something called Savršeni korak made its debut as well.  Anna Kendrick's finally the star of something!
And just in time to poke fun at Obama's choice of music, it's Daniel Barnz's anti-union screed Won't Back Down.  That's right, that Daniel Barnz.  Oh, he's big!  Olsen-twins big!  Then again, you don't often hear Spielberg complain about greedy, greedy unions.